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Commit | Line | Data |
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1 | @T A Thunderstorm in Town | |
2 | ||
3 | She wore a new "terra-cotta" dress, | |
4 | And we stayed, because of the pelting storm, | |
5 | Within the hansom's dry recess, | |
6 | Though the horse had stopped; yea, motionless | |
7 | We sat on, snug and warm. | |
8 | ||
9 | Then the downpour ceased, to my sharp sad pain | |
10 | And the glass that had screened our forms before | |
11 | Flew up, and out she sprang to her door: | |
12 | I should have kissed her if the rain | |
13 | Had lasted a minute more. | |
14 | ||
15 | @A Thomas Hardy | |
16 | # | |
17 | They say my verse is sad: no wonder; | |
18 | Its narrow measure spans | |
19 | Tears of eternity, and sorrow, | |
20 | Not mine, but man's. | |
21 | ||
22 | This is for all ill-treated fellows | |
23 | Unborn and unbegot, | |
24 | For them to read when they're in trouble | |
25 | And I am not. | |
26 | ||
27 | @A A. E. Housman | |
28 | # | |
29 | @T On a Day's Stint | |
30 | ||
31 | And long ere dinner-time I have | |
32 | Full eight close pages wrote. | |
33 | What, Duty, hast thou now to crave? | |
34 | Well done, Sir Walter Scott! | |
35 | ||
36 | @A Sir Walter Scott | |
37 | # | |
38 | @T The Choir Boy | |
39 | ||
40 | And when he sang in choruses | |
41 | His voice o'ertopped the rest, | |
42 | Which is very inartistic, | |
43 | But the public like that best. | |
44 | ||
45 | @A Anonymous | |
46 | # | |
47 | @T For Johnny | |
48 | ||
49 | Do not despair | |
50 | For Johnny-head-air; | |
51 | He sleeps as sound | |
52 | As Johnny underground. | |
53 | ||
54 | Fetch out no shroud | |
55 | For Johnny-in-the-cloud; | |
56 | And keep your tears | |
57 | For him in after years. | |
58 | ||
59 | Better by far | |
60 | For Johnny-the-bright-star, | |
61 | To keep your head, | |
62 | And see his children fed. | |
63 | ||
64 | @A John Pudney | |
65 | # | |
66 | @T Cock-Crow | |
67 | ||
68 | Out of the wood of thoughts that grows by night | |
69 | To be cut down by the sharp axe of light, - | |
70 | Out of the night, two cocks together crow, | |
71 | Cleaving the darkness with a silver blow: | |
72 | And bright before my eyes twin trumpeters stand, | |
73 | Heralds of splendour, one at either hand, | |
74 | Each facing each as in a coat of arms: | |
75 | The milkers lace their boots up at the farms. | |
76 | ||
77 | @A Edward Thomas | |
78 | # | |
79 | @T After Long Silence | |
80 | ||
81 | Speech after long silence; it is right, | |
82 | All other lovers being estranged or dead, | |
83 | Unfriendly lamplight hid under its shade, | |
84 | The curtains drawn upon unfriendly night, | |
85 | That we descant and yet again descant | |
86 | Upon the supreme theme of Art and Song: | |
87 | Bodily decrepitude is wisdom; young | |
88 | We loved each other and were ignorant. | |
89 | ||
90 | @A W. B. Yeats | |
91 | # | |
92 | @T Clouds | |
93 | ||
94 | Down the blue night the unending columns press | |
95 | In noiseless tumult, break and wave and flow, | |
96 | Now tread the far South, or lift rounds of snow | |
97 | Up to the white moon's hidden loveliness. | |
98 | Some pause in their grave wandering comradeless, | |
99 | And turn with profound gesture vague and slow, | |
100 | As who would pray good for the world, but know | |
101 | Their benediction empty as they bless. | |
102 | ||
103 | They say that the Dead die not, but remain | |
104 | Near to the rich heirs of their grief and mirth. | |
105 | I think they ride the calm mid-heaven, as these, | |
106 | In wise majestic melancholy train, | |
107 | And watch the moon, and the still-raging seas, | |
108 | And men coming and going on the earth. | |
109 | ||
110 | @A Rupert Brooke | |
111 | # | |
112 | @T If I should ever by Chance | |
113 | ||
114 | If I should ever by chance grow rich | |
115 | I'll buy Codham, Cockridden, and Childerditch, | |
116 | Roses, Pyrgo, and Lapwater, | |
117 | And let them all to my elder daughter. | |
118 | The rent I shall ask of her will be only | |
119 | Each year's violets, white and lonely, | |
120 | The first primroses and orchises - | |
121 | She must find them before I do, that is. | |
122 | But if she finds a blossom on furze | |
123 | Without rent they shall all for ever be hers, | |
124 | Codham, Cockridden, and Childerditch, | |
125 | Roses, Pyrgo, and Lapwater, - | |
126 | I shall give them all to my elder daughter. | |
127 | ||
128 | @A Edward Thomas | |
129 | # | |
130 | @T Adlestrop | |
131 | ||
132 | Yes, I remember Adlestrop - | |
133 | The name, because one afternoon | |
134 | Of heat the express-train drew up there | |
135 | Unwontedly. It was late June. | |
136 | ||
137 | The steam hissed. Someone cleared his throat. | |
138 | No one left and no one came | |
139 | On the bare platform. What I saw | |
140 | Was Adlestrop - only the name | |
141 | ||
142 | And willows, willow-herb, and grass, | |
143 | And meadowsweet, and haycocks dry, | |
144 | No whit less still and lonely fair | |
145 | Than the high cloudlets in the sky. | |
146 | ||
147 | And for that minute a blackbird sang | |
148 | Close by, and round him, mistier, | |
149 | Farther and farther, all the birds | |
150 | Of Oxfordshire and Gloucestershire. | |
151 | ||
152 | @A Edward Thomas | |
153 | # | |
154 | @T Tall Nettles | |
155 | ||
156 | Tall nettles cover up, as they have done | |
157 | These many springs, the rusty harrow, the plough | |
158 | Long worn out, and the roller made of stone: | |
159 | Only the elm butt tops the nettles now. | |
160 | ||
161 | This corner of the farmyard I like most: | |
162 | As well as any bloom upon a flower | |
163 | I like the dust on the nettles, never lost | |
164 | Except to prove the sweetness of a shower. | |
165 | ||
166 | @A Edward Thomas | |
167 | # | |
168 | @T The Cherry Trees | |
169 | ||
170 | The cherry trees bend over and are shedding | |
171 | On the old road where all that passed are dead, | |
172 | Their petals, strewing the grass as for a wedding | |
173 | This early May morn when there is none to wed. | |
174 | ||
175 | @A Edward Thomas | |
176 | # | |
177 | @T What will they do? | |
178 | ||
179 | What will they do when I am gone? It is plain | |
180 | That they will do without me as the rain | |
181 | Can do without the flowers and the grass | |
182 | That profit by it and must perish without. | |
183 | I have but seen them in the loud street pass; | |
184 | And I was naught to them. I turned about | |
185 | To see them disappearing carelessly. | |
186 | But what if I in them as they in me | |
187 | Nourished what has great value and no price? | |
188 | Almost I thought that rain thirsts for a draught | |
189 | Which only in the blossom's chalice lies, | |
190 | Until that one turned back and lightly laughed. | |
191 | ||
192 | @A Edward Thomas | |
193 | # | |
194 | @T The Lane | |
195 | ||
196 | Some day, I think, there will be people enough | |
197 | In Froxfield to pick all the blackberries | |
198 | Out of the hedges of Green Lane, the straight | |
199 | Broad lane where now September hides herself | |
200 | In bracken and blackberry, harebell and dwarf gorse. | |
201 | Today, where yesterday a hundred sheep | |
202 | Were nibbling, halcyon bells shake to the sway | |
203 | Of waters that no vessel ever sailed... | |
204 | It is a kind of spring: the chaffinch tries | |
205 | His song. For heat it is like summer too. | |
206 | This might be winter's quiet. While the glint | |
207 | Of hollies dark in the swollen hedges lasts - | |
208 | One mile - and those bells ring, little I know | |
209 | Or heed if time be still the same, until | |
210 | The lane ends and once more all is the same. | |
211 | ||
212 | @A Edward Thomas | |
213 | # | |
214 | @T In Memoriam (Easter, 1915) | |
215 | ||
216 | The flowers left thick at nightfall in the wood | |
217 | This Eastertide call into mind the men, | |
218 | Now far from home, who, with their sweethearts, should | |
219 | Have gathered them and will do never again. | |
220 | ||
221 | @A Edward Thomas | |
222 | # | |
223 | @T Failure | |
224 | ||
225 | Because God put His adamantine fate | |
226 | Between my sullen heart and its desire, | |
227 | I swore that I would burst the Iron Gate, | |
228 | Rise up, and curse Him on His throne of fire. | |
229 | Earth shuddered at my crown of blasphemy, | |
230 | But Love was as a flame about my feet; | |
231 | Proud up the Golden Stair I strode; and beat | |
232 | Thrice on the Gate, and entered with a cry - | |
233 | ||
234 | All the great courts were quiet in the sun, | |
235 | And full of vacant echoes: moss had grown | |
236 | Over the glassy pavement, and begun | |
237 | To creep within the dusty council-halls. | |
238 | An idle wind blew round an empty throne | |
239 | And stirred the heavy curtains on the walls. | |
240 | ||
241 | @A Rupert Brooke | |
242 | # | |
243 | @T Sonnet | |
244 | ||
245 | I said I splendidly loved you; it's not true. | |
246 | Such long swift tides stir not a land-locked sea. | |
247 | On gods or fools the high risk falls - on you - | |
248 | The clean clear bitter-sweet that's not for me. | |
249 | Love soars from earth to ecstasies unwist. | |
250 | Love is flung Lucifer-like from Heaven to Hell. | |
251 | But - there are wanderers in the middle mist, | |
252 | Who cry for shadows, clutch, and cannot tell | |
253 | Whether they love at all, or, loving, whom: | |
254 | An old song's lady, a fool in fancy dress, | |
255 | Or phantoms, or their own face on the gloom; | |
256 | For love of Love, or from heart's loneliness. | |
257 | Pleasure's not theirs, nor pain. They doubt, and sigh, | |
258 | And do not love at all. Of these am I. | |
259 | ||
260 | @A Rupert Brooke | |
261 | # | |
262 | @T The Hill | |
263 | ||
264 | Breathless, we flung us on the windy hill, | |
265 | Laughed in the sun, and kissed the lovely grass. | |
266 | You said, `Through glory and ecstasy we pass; | |
267 | Wind, sun, and earth remain, the birds sing still, | |
268 | When we are old, are old...' `And when we die | |
269 | All's over that is ours; and life burns on | |
270 | Through other lovers, other lips,' said I, | |
271 | `Heart of my heart, our heaven is now, is won!' | |
272 | ||
273 | `We are Earth's best, that learnt her lesson here. | |
274 | Life is our cry. We have kept the faith!' we said; | |
275 | `We shall go down with unreluctant tread | |
276 | Rose-crowned into the darkness!' ...Proud we were, | |
277 | And laughed, that had such brave true things to say, | |
278 | - And then you suddenly cried, and turned away. | |
279 | ||
280 | @A Rupert Brooke | |
281 | # | |
282 | @T Song | |
283 | ||
284 | All suddenly the wind comes soft, | |
285 | And Spring is here again; | |
286 | And the hawthorn quickens with buds of green, | |
287 | And my heart with buds of pain. | |
288 | ||
289 | My heart all Winter lay so numb, | |
290 | The earth so dead and frore, | |
291 | That I never thought the Spring would come, | |
292 | Or my heart wake any more. | |
293 | ||
294 | But Winter's broken and earth has woken. | |
295 | And the small birds cry again; | |
296 | And the hawthorn hedge puts forth its buds, | |
297 | And my heart puts forth its pain. | |
298 | ||
299 | @A Rupert Brooke | |
300 | # | |
301 | @T The Way that Lovers Use | |
302 | ||
303 | The way that lovers use is this: | |
304 | They bow, catch hands, with never a word, | |
305 | And their lips meet, and they do kiss, | |
306 | - So I have heard. | |
307 | ||
308 | They queerly find some healing so, | |
309 | And strange attainment in the touch; | |
310 | There is a secret lovers know, | |
311 | - I have read as much. | |
312 | ||
313 | And theirs is no longer joy nor smart, | |
314 | Changing or ending, night or day; | |
315 | But mouth to mouth, and heart on heart, | |
316 | - So lovers say. | |
317 | ||
318 | @A Rupert Brooke | |
319 | # | |
320 | @T Song | |
321 | ||
322 | The way of love was thus. | |
323 | He was born one winter's morn | |
324 | With hands delicious, | |
325 | And it was well with us. | |
326 | ||
327 | Love came our quiet way, | |
328 | Lit pride in us, and died in us, | |
329 | All in a winter's day. | |
330 | There is no more to say. | |
331 | ||
332 | @A Rupert Brooke | |
333 | # | |
334 | @T Sonnet Reversed | |
335 | ||
336 | Hand trembling towards hand; the amazing lights | |
337 | Of heart and eye. They stood on supreme heights. | |
338 | ||
339 | Ah, the delirious weeks of honeymoon! | |
340 | Soon they returned, and after strange adventures, | |
341 | Settled at Balham by the end of June. | |
342 | Their money was in Can. Pasc. B. Debentures, | |
343 | And in Antofagastas. Still he went | |
344 | Cityward daily; still she did abide | |
345 | At home. And both were really quite content | |
346 | With work and social pleasures. Then they died. | |
347 | They left three children (besides George, who drank): | |
348 | The eldest Jane, who married Mr Bell, | |
349 | William, the head-clerk in the County Bank, | |
350 | And Henry, a stock-broker, doing well. | |
351 | ||
352 | @A Rupert Brooke | |
353 | # | |
354 | @T A White Rose | |
355 | ||
356 | The red rose whispers of passion, | |
357 | And the white rose breathes of love; | |
358 | O, the red rose is a falcon, | |
359 | And the white rose is a dove. | |
360 | ||
361 | But I send you a cream-white rosebud | |
362 | With a flush on its petal tips; | |
363 | For the love that is purest and sweetest | |
364 | Has a kiss of desire on the lips. | |
365 | ||
366 | @A John Boyle O'Reilly | |
367 | # | |
368 | @T Urceus Exit | |
369 | ||
370 | I intended an Ode, | |
371 | And it turn'd to a Sonnet. | |
372 | It began 'a la mode', | |
373 | I intended an Ode; | |
374 | But Rose cross'd the road | |
375 | In her latest new bonnet; | |
376 | I intended an Ode; | |
377 | And it turn'd to a Sonnet. | |
378 | ||
379 | @A Austin Dobson | |
380 | # | |
381 | @T Pippa's Song | |
382 | ||
383 | The year's at the spring, | |
384 | And day's at the morn; | |
385 | Morning's at seven; | |
386 | The hill-side's dew-pearl'd; | |
387 | The lark's on the wing; | |
388 | The snail's on the thorn; | |
389 | God's in His heaven - | |
390 | All's right with the world! | |
391 | ||
392 | @A Robert Browning | |
393 | # | |
394 | @T Song | |
395 | ||
396 | She is not fair to outward view | |
397 | As many maidens be, | |
398 | Her loveliness I never knew | |
399 | Until she smiled on me; | |
400 | O, then I saw her eye was bright, | |
401 | A well of love, a spring of light! | |
402 | ||
403 | But now her looks are coy and cold, | |
404 | To mine they ne'er reply, | |
405 | And yet I cease not to behold | |
406 | The love-light in her eye: | |
407 | Her very frowns are fairer far | |
408 | Than smiles of other maidens are. | |
409 | ||
410 | @A Hartley Coleridge | |
411 | # | |
412 | @T Rondeau | |
413 | ||
414 | Jenny kiss'd me when we met, | |
415 | Jumping from the chair she sat in; | |
416 | Time, you thief, who love to get | |
417 | Sweets into your list, put that in! | |
418 | Say I'm weary, say I'm sad, | |
419 | Say that health and wealth have miss'd me, | |
420 | Say I'm growing old, but add, | |
421 | Jenny kiss'd me. | |
422 | ||
423 | @A J. H. Leigh Hunt | |
424 | # | |
425 | @T A Drinking Song | |
426 | ||
427 | Bacchus must now his power resign - | |
428 | I am the only God of Wine! | |
429 | It is not fit the wretch should be | |
430 | In competition set with me, | |
431 | Who can drink ten times more than he. | |
432 | ||
433 | Make a new world, ye powers divine! | |
434 | Stock'd with nothing else but Wine: | |
435 | Let Wine its only product be, | |
436 | Let Wine be earth, and air, and sea - | |
437 | And let that Wine be all for me! | |
438 | ||
439 | @A Henry Carey | |
440 | # | |
441 | I never had a piece of toast | |
442 | Particularly long and wide, | |
443 | But fell upon the sanded floor | |
444 | And always on the buttered side. | |
445 | ||
446 | @A James Payn | |
447 | # | |
448 | @T Summer Evening | |
449 | ||
450 | The frog, half fearful, jumps across the path, | |
451 | And little mouse that leaves its hole at eve | |
452 | Nimbles with timid dread beneath the swath; | |
453 | My rustling steps awhile their joys deceive, | |
454 | Till past - and then the cricket sings more strong, | |
455 | And grasshoppers in merry mood still wear | |
456 | The short night weary with their fretting song. | |
457 | Up from behind the mole-hill jumps the hare, | |
458 | Cheat of his chosen bed, and from the bank | |
459 | The yellowhammer flutters in short fears | |
460 | From off its nest hid in the grasses rank, | |
461 | And drops again when no more noise it hears. | |
462 | Thus nature's human link and endless thrall, | |
463 | Proud man, still seems the enemy of all. | |
464 | ||
465 | @A John Clare | |
466 | # | |
467 | @T Diamond Cut Diamond | |
468 | ||
469 | Two cats | |
470 | One up a tree | |
471 | One under the tree | |
472 | The cat up a tree is he | |
473 | The cat under the tree is she | |
474 | The tree is witch elm, just incidentally. | |
475 | He takes no notice of she, she takes no notice of he. | |
476 | He stares at the woolly clouds passing, she stares at the tree. | |
477 | There's been a lot written about cats, by Old Possum, Yeats and | |
478 | Company | |
479 | But not Alfred de Musset or Lord Tennyson or Poe or anybody | |
480 | Wrote about one cat under, and one cat up, a tree. | |
481 | God knows why this should be left for me | |
482 | Except I like cats as cats be | |
483 | Especially one cat up | |
484 | And one cat under | |
485 | A witch elm | |
486 | Tree. | |
487 | ||
488 | @A Ewart Milne | |
489 | # | |
490 | @T Time and Love | |
491 | ||
492 | When I have seen by Time's fell hand defaced | |
493 | The rich proud cost of out-worn buried age; | |
494 | When sometime lofty towers I see down-razed, | |
495 | And brass eternal slave to mortal rage; | |
496 | ||
497 | When I have seen the hungry ocean gain | |
498 | Advantage on the kingdom of the shore, | |
499 | And the firm soil win of the watery main, | |
500 | Increasing store with loss, and loss with store; | |
501 | ||
502 | When I have seen such interchange of state, | |
503 | Or state itself confounded to decay, | |
504 | Ruin hath taught me thus to ruminate - | |
505 | That Time will come and take my Love away: | |
506 | ||
507 | - This thought is as a death, which cannot choose | |
508 | But weep to have that which it fears to lose. | |
509 | ||
510 | @A William Shakespeare | |
511 | # | |
512 | Under the greenwood tree | |
513 | Who loves to lie with me, | |
514 | And turn his merry note | |
515 | Unto the sweet bird's throat - | |
516 | Come hither, come hither, come hither ! | |
517 | Here shall he see | |
518 | No enemy | |
519 | But winter and rough weather. | |
520 | ||
521 | Who doth ambition shun | |
522 | And loves to live i' the sun, | |
523 | Seeking the food he eats | |
524 | And pleased with what he gets - | |
525 | Come hither, come hither, come hither! | |
526 | Here shall he see | |
527 | No enemy | |
528 | But winter and rough weather. | |
529 | ||
530 | @A William Shakespeare | |
531 | # | |
532 | @T Absence | |
533 | ||
534 | Being your slave, what should I do but tend | |
535 | Upon the hours and times of your desire? | |
536 | I have no precious time at all to spend | |
537 | Nor services to do, till you require: | |
538 | ||
539 | Nor dare I chide the world-without-end hour | |
540 | Whilst I, my sovereign, watch the clock for you, | |
541 | Nor think the bitterness of absence sour | |
542 | When you have bid your servant once adieu: | |
543 | ||
544 | Nor dare I question with my jealous thought | |
545 | Where you may be, or your affairs suppose, | |
546 | But like a sad slave, stay and think of nought | |
547 | Save, where you are, how happy you make those;- | |
548 | ||
549 | So true a fool is love, that in your will, | |
550 | Though you do anything, he thinks no ill. | |
551 | ||
552 | @A William Shakespeare | |
553 | # | |
554 | To me, fair Friend, you never can be old, | |
555 | For as you were when first your eye I eyed | |
556 | Such seems your beauty still. Three winters cold | |
557 | Have from the forests shook three summers' pride; | |
558 | Three beauteous springs to yellow autumn turn'd | |
559 | In process of the seasons have I seen, | |
560 | Three April perfumes in three hot Junes burn'd, | |
561 | Since first I saw you fresh, which yet are green. | |
562 | ||
563 | Ah! yet doth beauty, like a dial-hand, | |
564 | Steal from his figure, and no pace perceived; | |
565 | So your sweet hue, which methinks still doth stand, | |
566 | Hath motion, and mine eye may be deceived: | |
567 | ||
568 | For fear of which, hear this, thou age unbred,- | |
569 | Ere you were born, was beauty's summer dead. | |
570 | ||
571 | @A William Shakespeare | |
572 | # | |
573 | @T To His Love | |
574 | ||
575 | Shall I compare thee to a summer's day? | |
576 | Thou art more lovely and more temperate: | |
577 | Rough winds do shake the darling buds of May, | |
578 | And summer's lease hath all too short a date: | |
579 | ||
580 | Sometime too hot the eye of heaven shines, | |
581 | And often is his gold complexion dimm'd: | |
582 | And every fair from fair sometime declines, | |
583 | By chance, or nature's changing course, untrimm'd. | |
584 | ||
585 | But thy eternal summer shall not fade | |
586 | Nor lose possession of that fair thou owest; | |
587 | Nor shall death brag thou wanderest in his shade, | |
588 | When in eternal lines to time thou growest: | |
589 | ||
590 | So long as men can breathe, or eyes can see, | |
591 | So long lives this, and this gives life to thee. | |
592 | ||
593 | @A William Shakespeare | |
594 | # | |
595 | @T Carpe Diem | |
596 | ||
597 | O Mistress, where are you roaming? | |
598 | O stay and hear! your true-love's coming | |
599 | That can sing both high and low; | |
600 | Trip no further, pretty sweeting, | |
601 | Journey's end in lovers' meeting - | |
602 | Every wise man's son doth know. | |
603 | ||
604 | What is love? 'tis not hereafter; | |
605 | Present mirth hath present laughter; | |
606 | What's to come is still unsure; | |
607 | In delay there lies no plenty,- | |
608 | Then come kiss me, Sweet-and-twenty, | |
609 | Youth's a stuff will not endure. | |
610 | ||
611 | @A William Shakespeare | |
612 | # | |
613 | @T A Sea Dirge | |
614 | ||
615 | Full fathom five thy father lies: | |
616 | Of his bones are coral made; | |
617 | Those are peals that were his eyes; | |
618 | Nothing of him that doth fade | |
619 | But doth suffer a sea-change | |
620 | Into something rich and strange. | |
621 | Sea-nymphs hourly ring his knell; | |
622 | Hark! now I hear them,- | |
623 | Ding, dong, bell. | |
624 | ||
625 | @A William Shakespeare | |
626 | # | |
627 | @T On the Tombs in Westminster Abbey | |
628 | ||
629 | Mortality, behold and fear, | |
630 | What a change of flesh is here! | |
631 | Think how many royal bones | |
632 | Sleep within these heaps of stones; | |
633 | Here they lie, had realms and lands, | |
634 | Who now want strength to stir their hands, | |
635 | Where from their pulpits seal'd with dust | |
636 | They preach, `In greatness is no trust.' | |
637 | Here's an acre sown indeed | |
638 | With the richest royallest seed | |
639 | That the earth did e'er suck in | |
640 | Since the first man died for sin: | |
641 | Here the bones of birth have cried | |
642 | `Though gods they were, as men they died!' | |
643 | Here are sands, ignoble things, | |
644 | Dropt from the ruin'd sides of kings: | |
645 | Here's a world of pomp and state | |
646 | Buried in dust, once dead by fate. | |
647 | ||
648 | @A F. Beaumont | |
649 | # | |
650 | @T The Terror of Death | |
651 | ||
652 | When I have fears that I may cease to be | |
653 | Before my pen has glean'd my teeming brain, | |
654 | Before high-piled books, in charact'ry | |
655 | Hold like rich garners the full-ripen'd grain; | |
656 | ||
657 | When I behold, upon the night's starr'd face, | |
658 | Huge cloudy symbols of a high romance, | |
659 | And think that I may never live to trace | |
660 | Their shadows, with the magic hand of chance; | |
661 | ||
662 | And when I feel, fair creature of an hour! | |
663 | That I shall never look upon thee more, | |
664 | Never have relish in the fairy power | |
665 | Of unreflecting love - then on the shore | |
666 | ||
667 | Of the wide world I stand alone, and think | |
668 | Till love and fame to nothingness do sink. | |
669 | ||
670 | @A J. Keats | |
671 | # | |
672 | @T Young and Old | |
673 | ||
674 | When all the world is young, lad, | |
675 | And all the trees are green; | |
676 | And every goose a swan, lad, | |
677 | And every lass a queen; | |
678 | Then hey for boot and horse, lad, | |
679 | And round the world away; | |
680 | Young blood must have its course, lad, | |
681 | And every dog his day. | |
682 | ||
683 | When all the world is old, lad, | |
684 | And all the trees are brown; | |
685 | And all the sport is stale, lad, | |
686 | And all the wheels run down; | |
687 | Creep home, and take your place there, | |
688 | The spent and maimed among: | |
689 | God grant you find one face there, | |
690 | You loved when all was young. | |
691 | ||
692 | @A C. Kingsley | |
693 | # | |
694 | @T Pied Beauty | |
695 | ||
696 | Glory be to God for dappled things- | |
697 | For skies of couple-colour as a brindled cow; | |
698 | For rose-moles all in stipple upon trout that swim; | |
699 | Fresh-firecoal chestnut-falls; finches' wings; | |
700 | Landscape plotted and pieced - fold, fallow, and plough; | |
701 | And all trades, their gear and tackle and trim. | |
702 | ||
703 | All things counter, original, spare, strange; | |
704 | Whatever is fickle, freckled (who knows how?) | |
705 | With swift, slow; sweet, sour; adazzle, dim; | |
706 | He fathers-forth whose beauty is past change: | |
707 | Praise Him. | |
708 | ||
709 | @A Gerard Manley-Hopkins | |
710 | # | |
711 | @T The Lake Isle of Innisfree | |
712 | ||
713 | I will arise, and go to Innisfree, | |
714 | And a small cabin build there, of clay and wattles made; | |
715 | Nine bean rows will I have there, a hive for the hiney bee, | |
716 | And live alone in the bee-loud glade. | |
717 | ||
718 | And I shall have some peace there, for peace comes dropping slow, | |
719 | Dropping from the veils of the morning to where the cricket sings; | |
720 | There midnight's all a-glimmer, and noon a purple glow, | |
721 | And evening full of the linnet's wings. | |
722 | ||
723 | I will arise and go now, for always night and day | |
724 | I hear lake water lapping with low sounds by the shores; | |
725 | While I stand on the roadway, or on the pavements gray, | |
726 | I hear it in the deep heart's core. | |
727 | ||
728 | @A W.B. Yeats | |
729 | # | |
730 | @T The Soldier | |
731 | ||
732 | If I should die, think only this of me: | |
733 | That there's some corner of a foreign field | |
734 | That is for ever England. There shall be | |
735 | In that rich earth a richer dust concealed; | |
736 | A dust whom England bore, shaped, made aware, | |
737 | Gave, once, her flowers to love, her ways to roam, | |
738 | Washed by the rivers, blest by suns of home. | |
739 | ||
740 | And think, this heart, all evil shed away, | |
741 | A pulse in the eternal mind, no less | |
742 | Gives somewhere back the thoughts by England given; | |
743 | Her sights and sounds; dreams happy as her day; | |
744 | And laughter, learnt of friends; and gentleness, | |
745 | In hearts at peace, under an English heaven. | |
746 | ||
747 | @A Rupert Brooke | |
748 | # | |
749 | @T Towers | |
750 | ||
751 | Protected from the gales, we, | |
752 | By the line of trees along the bank | |
753 | From storms that batter Fife | |
754 | And life here through the changing seasons - | |
755 | Unchanging, a lonely beauty, | |
756 | No reason to look to the rush | |
757 | Beyond the rustle of the bushes. | |
758 | But through the curtain of our trees, | |
759 | The distant towers like castle turrets | |
760 | Gleam by day and shine by night, | |
761 | Holding, choking | |
762 | Invisible souls within the shearing concrete height. | |
763 | ||
764 | @A Julian Smart | |
765 | # | |
766 | @T Break of Day | |
767 | ||
768 | Tis true, 'tis day; what though it be? | |
769 | O wilt thou therefore rise from me? | |
770 | Why should we rise, because 'tis light? | |
771 | Did we lie down, because 'twas night? | |
772 | Love which in spite of darkness brought us hither, | |
773 | Should in despite of light keep us together. | |
774 | ||
775 | Light hath no tongue, but is all eye; | |
776 | If it could speak as well as spy, | |
777 | This were the worst, that it could say, | |
778 | That being well, I fain would stay, | |
779 | And that I loved my heart and honour so, | |
780 | That I would not from him, that had them, go. | |
781 | ||
782 | Must business thee from hence remove? | |
783 | Oh, that's the worst disease of love, | |
784 | The poor, the foul, the false, love can | |
785 | Admit. but not the busied man. | |
786 | He which hath business, and makes love, doth do | |
787 | Such wrong, as when a married man doth woo. | |
788 | ||
789 | @A John Donne | |
790 | # | |
791 | @T The Computation | |
792 | ||
793 | For the first twenty years, since yesterday, | |
794 | I scarce believed, thou could'st be gone away, | |
795 | For forty more, I fed on favours past, | |
796 | And forty on hopes, that thou would'st, they might last. | |
797 | Tears drowned one hundred, and sighs blew out two, | |
798 | A thousand, I did neither think, nor do, | |
799 | Or not divide, all being one thought of you; | |
800 | Or in a thousand more, forget that too. | |
801 | Yet call not this long life; but think that I | |
802 | Am, by being dead, immortal; can ghosts die? | |
803 | ||
804 | @A John Dunne | |
805 | # | |
806 | @T A Red, Red Rose | |
807 | ||
808 | O, my love's like a red, red rose, | |
809 | That's newly sprung in June. | |
810 | O, my love's like the melodie, | |
811 | That's sweetly play'd in tune. | |
812 | ||
813 | As fair art thou, my bonnie lass, | |
814 | So deep in love am I, | |
815 | And I will love thee still, my Dear, | |
816 | Till a' the seas gang dry. | |
817 | ||
818 | Till a' the seas gang dry, my Dear, | |
819 | And the rocks melt wi' the sun! | |
820 | O, I will love thee still, my Dear, | |
821 | While the sands o' life shall run. | |
822 | ||
823 | And fare thee weel, my only Love, | |
824 | And fare thee weel a while! | |
825 | And I will come again, my Love, | |
826 | Tho' it were ten thousand mile! | |
827 | ||
828 | @A Robert Burns | |
829 | # | |
830 | @T On Charles II | |
831 | ||
832 | Here lies our sovereign Lord the King, | |
833 | Whose word no man relies on, | |
834 | Who never said a foolish thing | |
835 | Nor ever did a wise one. | |
836 | ||
837 | @A Earl of Rochester | |
838 | # | |
839 | @T The Four Georges | |
840 | ||
841 | George the First was always reckoned | |
842 | Vile - but viler George the Second; | |
843 | And what mortal ever heard | |
844 | Any good of George the Third? | |
845 | When from earth the Fourth descended, | |
846 | God be praised, the Georges ended! | |
847 | ||
848 | @A W.S. Landor | |
849 | # | |
850 | @T Frederick, Prince of Wales | |
851 | ||
852 | Here lies Fred, | |
853 | Who was alive, and is dead, | |
854 | Had it been his father, | |
855 | I had much rather. | |
856 | Had it been his brother, | |
857 | Still better than another. | |
858 | Had it been his sister, | |
859 | No one would have missed her. | |
860 | Had it been the whole generation, | |
861 | Still better for the nation. | |
862 | But since 'tis only Fred, | |
863 | Who was alive, and is dead, | |
864 | There's no more to be said. | |
865 | ||
866 | @A W.M. Thackeray | |
867 | # | |
868 | @T On an Old Woman | |
869 | ||
870 | Mycilla dyes her locks, 'tis said, | |
871 | But 'tis a foul aspersion; | |
872 | She buys them black, they therefore need | |
873 | No subsequent immersion. | |
874 | ||
875 | @A W. Cowper | |
876 | # | |
877 | @T An Epitaph on Sir John Vanbrugh (Architect) | |
878 | ||
879 | Under this stone, reader, survey | |
880 | Dead Sir John Vanbrugh's house of clay. | |
881 | Lie heavy on him, earth! for he | |
882 | Laid many heavy loads on thee. | |
883 | ||
884 | @A A. Evans | |
885 | # | |
886 | @T True Joy in Possession | |
887 | ||
888 | To have a thing is little, | |
889 | If you're not allowed to show it, | |
890 | And to know a thing is nothing | |
891 | Unless others know you know it. | |
892 | ||
893 | @A Lord Neaves | |
894 | # | |
895 | @T To His Mistress Going To Bed | |
896 | ||
897 | Come, Madam, come, all rest my powers defy, | |
898 | Until I labour, I in labour lie. | |
899 | The foe oft-times having the foe in sight, | |
900 | Is tired with standing though he never fight. | |
901 | Off with that girdle, like heaven's zone glistering, | |
902 | But a far fairer world encompassing. | |
903 | Unpin that spangled breastplate which you wear, | |
904 | That th'eyes of busy fools may be stopt there. | |
905 | Unlace yourself, for that harmonious chime | |
906 | Tells me from you, that now it is bed time. | |
907 | Off with that happy busk, which I envy, | |
908 | That still can be, and still can stand so nigh. | |
909 | Your gown going off, such beauteous state reveals, | |
910 | As when from flowry meads the hill's shadow steals. | |
911 | @P | |
912 | Off with that wiry coronet and show | |
913 | The hairy diadem which on you doth grow: | |
914 | Now off with those shoes, and then safely tread | |
915 | In this love's hallowed temple, this soft bed. | |
916 | In such white robes, heaven's angels used to be | |
917 | Received by men; thou angel bring'st with thee | |
918 | A heaven like Mahomet's Paradise; and though | |
919 | Ill spirits walk in white, we easily know, | |
920 | By this these angels from an evil sprite, | |
921 | Those set our hairs, but these our flesh upright. | |
922 | ||
923 | Licence my roving hands, and let them go, | |
924 | Before, behind, between, above, below. | |
925 | O my America! my new-found-land, | |
926 | My kingdom, safeliest when with one man manned, | |
927 | My mine of precious stones, My empery, | |
928 | How blest am I in this discovering thee! | |
929 | To enter in these bonds, is to be free; | |
930 | Then where my hand is set, my seal shall be. | |
931 | @P | |
932 | Full nakedness! All joys are due to thee, | |
933 | As souls unbodied, bodies unclothed must be, | |
934 | To taste whole joys. Gems which you women use | |
935 | Are like Atlanta's balls, cast in men's views, | |
936 | That when a fool's eye lighteth on a gem, | |
937 | His earthly soul may covet theirs, not them. | |
938 | Like pictures, or like books' gay coverings made | |
939 | For lay-men, are all women this arrayed; | |
940 | Themselves are mystic books, which only we | |
941 | (Whom their imputed grace will dignify) | |
942 | Must see revealed. Then since that I may know, | |
943 | As liberally, as to a midwife, show | |
944 | Thyself: cast all, yea, this white linen hence, | |
945 | There is no penance due to innocence. | |
946 | ||
947 | To teach thee, I am naked first; why then | |
948 | What needst thou have more covering than a man. | |
949 | ||
950 | @A John Donne | |
951 | # | |
952 | @T Cheltenham Waters | |
953 | ||
954 | Here lie I and my four daughters, | |
955 | Killed by drinking Cheltenham waters. | |
956 | Had we but stuck to Epsom salts, | |
957 | We wouldn't have been in these here vaults. | |
958 | ||
959 | @A Anonymous | |
960 | # | |
961 | @T Hypocrisy | |
962 | ||
963 | Hypocrisy will serve as well | |
964 | To propagate a church as zeal; | |
965 | As persecution and promotion | |
966 | Do equally advance devotion: | |
967 | So round white stones will serve, they say, | |
968 | As well as eggs to make hens lay. | |
969 | ||
970 | @A Samuel Butler | |
971 | # | |
972 | @T The Microbe | |
973 | ||
974 | The Microbe is so very small | |
975 | You cannot make him out at all, | |
976 | But many sanguine people hope | |
977 | To see him through a microscope. | |
978 | His jointed tongue that lies beneath | |
979 | A hundred curious rows of teeth; | |
980 | His seven tufted tails with lots | |
981 | Of lovely pink and purple spots, | |
982 | On each of which a pattern stands, | |
983 | Composed of forty separate bands; | |
984 | His eyebrows of a tender green; | |
985 | All of these have never yet been seen - | |
986 | But Scientists, who ought to know, | |
987 | Assures us that they must be so... | |
988 | Oh! let us never, never doubt | |
989 | What nobody is sure about! | |
990 | ||
991 | @A Hilaire Belloc | |
992 | # | |
993 | @T Slug | |
994 | ||
995 | Slugs, soft upon damp carpets of rich food, | |
996 | Make sullen love with bubbles and with sighs, | |
997 | Silvery flaccid. They consider lewd | |
998 | The use of eyes. | |
999 | ||
1000 | @A John Pudney | |
1001 | # | |
1002 | @T The Doctor Prescribes | |
1003 | ||
1004 | A lady lately, that was fully sped | |
1005 | Of all the pleasures of the marriage-bed | |
1006 | Ask'd a physician, whether were more fit | |
1007 | For Venus' sports, the morning or the night? | |
1008 | The good old man made answer, as 'twas meet, | |
1009 | The morn more wholesome, but the night more sweet. | |
1010 | Nay then, i'faith, quoth she, since we have leisure, | |
1011 | We'll to't each morn for health, each night for pleasure. | |
1012 | ||
1013 | @A Anonymous | |
1014 | # | |
1015 | @T On Mary Ann | |
1016 | ||
1017 | Mary Ann has gone to rest, | |
1018 | Safe at last on Abraham's breast, | |
1019 | Which may be nuts for Mary Ann, | |
1020 | But is certainly rough on Abraham. | |
1021 | ||
1022 | @A Anonymous | |
1023 | # | |
1024 | @T Misfortunes never come Singly | |
1025 | ||
1026 | Making toast at the fireside, | |
1027 | Nurse fell in the grate and died; | |
1028 | And what makes it ten times worse, | |
1029 | All the toast was burnt with nurse. | |
1030 | ||
1031 | @A Harry Graham | |
1032 | # | |
1033 | @T Tender Heartedness | |
1034 | ||
1035 | Billy, in one of his nice new sashes, | |
1036 | Fell in the fire and was burnt to ashes; | |
1037 | Now, although the room grows chilly, | |
1038 | I haven't the heart to poke poor Billy. | |
1039 | ||
1040 | @A Harry Graham | |
1041 | # | |
1042 | @T Miss Twye | |
1043 | ||
1044 | Miss Twye was soaping her breasts in her bath | |
1045 | When she heard behind her a meaning laugh | |
1046 | And to her amazement she discovered | |
1047 | A wicked man in the bathroom cupboard. | |
1048 | ||
1049 | @A Gavin Ewart | |
1050 | # | |
1051 | @T The Old Loony of Lyme | |
1052 | ||
1053 | There was an old loony of Lyme, | |
1054 | Whose candour was simply sublime; | |
1055 | When they asked, 'Are you there?' | |
1056 | 'Yes,' he said, 'but take care, | |
1057 | For I'm never "all there" at a time.' | |
1058 | ||
1059 | @A Anonymous | |
1060 | # | |
1061 | @T The Young Lady from Wantage | |
1062 | ||
1063 | There was a young lady from Wantage | |
1064 | Of whom the town clerk took advantage. | |
1065 | Said the borough surveyor: | |
1066 | 'Indeed you must pay `er. | |
1067 | You've totally altered her frontage.' | |
1068 | ||
1069 | @A Anonymous | |
1070 | # | |
1071 | @T The Modern Hiawatha | |
1072 | ||
1073 | When he killed the Mudjokivis | |
1074 | Of the skin he made him mittens, | |
1075 | Made them with the fur side inside, | |
1076 | Made them with the skin side outside, | |
1077 | He, to get the warm side inside, | |
1078 | Put the inside skin side outside; | |
1079 | He, to get the cold side outside, | |
1080 | Put the warm side fur side inside. | |
1081 | That's why he put fur side inside, | |
1082 | Why he put the skin side outside, | |
1083 | Why he turned them inside outside. | |
1084 | ||
1085 | @A Anonymous | |
1086 | # | |
1087 | @T Is it a Month | |
1088 | ||
1089 | Is it a month since I and you | |
1090 | In the starlight of Glen Dubh | |
1091 | Stretched beneath a hazel bough | |
1092 | Kissed from ear and throat to brow, | |
1093 | Since your fingers, neck, and chin | |
1094 | Made the bars that fence me in, | |
1095 | Till Paradise seemed but a wreck | |
1096 | Near your bosom, brow and neck | |
1097 | And stars grew wilder, growing wise, | |
1098 | In the splendour of your eyes! | |
1099 | Since the weasel wandered near | |
1100 | Whilst we kissed from ear to ear | |
1101 | And the wet and withered leaves | |
1102 | Blew about your cap and sleeves, | |
1103 | Till the moon sank tired through the ledge | |
1104 | Of the wet and windy hedge? | |
1105 | And we took the starry lane | |
1106 | Back to Dublin town again. | |
1107 | ||
1108 | @A J. M. Synge | |
1109 | @A (1871-1909) | |
1110 | # | |
1111 | @T The Lark in the Clear Air | |
1112 | ||
1113 | Dear thoughts are in my mind, | |
1114 | And my soul soars enchanted, | |
1115 | As I hear the sweet lark sing | |
1116 | In the clear air of the day. | |
1117 | For a tender beaming smile | |
1118 | To my hope has been granted, | |
1119 | And tomorrow she shall hear | |
1120 | All my fond heart would say. | |
1121 | ||
1122 | I shall tell her all my love, | |
1123 | All my soul's adoration; | |
1124 | And I think she will hear me | |
1125 | And will not say me nay. | |
1126 | It is this that fills my soul | |
1127 | With its joyous elation, | |
1128 | As I hear the sweet lark sing | |
1129 | In the clear air of the day. | |
1130 | ||
1131 | @A Samuel Ferguson | |
1132 | @A (1810-1886) | |
1133 | # | |
1134 | @T The Self-Unseeing | |
1135 | ||
1136 | Here is the ancient floor, | |
1137 | Footworn and hollowed and thin, | |
1138 | Here was the former door | |
1139 | Where the dead feet walked in. | |
1140 | ||
1141 | She sat here in her chair, | |
1142 | Smiling into the fire; | |
1143 | He who played stood there, | |
1144 | Bowing it higher and higher. | |
1145 | ||
1146 | Childlike, I danced in a dream; | |
1147 | Blessings emblazoned that day; | |
1148 | Everything glowed with a gleam; | |
1149 | Yet we were looking away! | |
1150 | ||
1151 | @A Thomas Hardy | |
1152 | # | |
1153 | @T Cean Dubh Deelish (Darling Black Head) | |
1154 | ||
1155 | Put your head, darling, darling, darling, | |
1156 | Your darling black head my heart above; | |
1157 | O mouth of honey, with thyme for fragrance, | |
1158 | Who, with heart in breast, could deny you love? | |
1159 | ||
1160 | O many and many a young girl for me is pining, | |
1161 | Letting her locks of gold to the cold wind free, | |
1162 | For me, the foremost of our gay young fellows; | |
1163 | But I'd leave a hundred, pure love, for thee! | |
1164 | ||
1165 | Put your head, darling, darling, darling, | |
1166 | Your darling black head my heart above; | |
1167 | O mouth of honey, with thyme for fragrance, | |
1168 | Who, with heart in breast, could deny you love? | |
1169 | ||
1170 | @A Samuel Ferguson | |
1171 | @A (1810-1886) | |
1172 | # | |
1173 | @T From 'The Amores' | |
1174 | ||
1175 | Ring of mine, made to encircle my pretty mistress's finger, | |
1176 | Valuable only in terms of the giver's love, | |
1177 | Go, and good welcome! May she receive you with pleasure, | |
1178 | Slip you over her knuckle there and then. | |
1179 | May you fit her as well as she fits me, rub snugly | |
1180 | Around her finger, precisely the right size! | |
1181 | Lucky ring to be handled by my mistress! I'm developing | |
1182 | A miserable jealousy of my own gift. | |
1183 | But suppose I could be the ring, transformed in an instant | |
1184 | By some famous magician's art - | |
1185 | Then, when I felt like running my hand down Corinna's | |
1186 | Dress, and exploring her breasts, I'd work | |
1187 | Myself off her finger (tight squeeze or not) and by crafty | |
1188 | Cunning drop into her cleavage. Let's say | |
1189 | She was writing a private letter - I'd have to seal it, | |
1190 | @P | |
1191 | And a dry stone sticks on wax: | |
1192 | She's moisten me with her tongue. Pure bliss - provided | |
1193 | I didn't have to endorse any hostile remarks | |
1194 | Against myself. If she wanted to put me away in her | |
1195 | Jewel-box, I'd cling tighter, refuse to budge. | |
1196 | (Don't worry, my sweet, I'd never cause you discomfort, | |
1197 | or burden | |
1198 | Your slender finger with an unwelcome weight.) | |
1199 | Wear me whenever you take a hot shower, don't worry | |
1200 | If water runs under your gem - | |
1201 | Though I fancy the sight of you naked would arise my | |
1202 | passions, leave me | |
1203 | A ring of visibly virile parts... | |
1204 | Pure wishful thinking! On your way, then, little present, | |
1205 | And show her you come with all my love. | |
1206 | ||
1207 | @A Ovid | |
1208 | @A (BC 43-AD 17) | |
1209 | # | |
1210 | @T After an Interval | |
1211 | ||
1212 | After an interval, reading, here in the midnight, | |
1213 | With the great stars looking on -- all the starts of Orion looking, | |
1214 | And the silent Pleiades -- and the duo looking of Saturn and ruddy Mars; | |
1215 | Pondering, reading my own songs, after a long interval, | |
1216 | (sorrow and death familiar now) | |
1217 | Ere Closing the book, what pride! what joy! to find them | |
1218 | Standing so well the test of death and night, | |
1219 | And the duo of Saturn and Mars! | |
1220 | ||
1221 | @A Walt Whitman | |
1222 | # | |
1223 | @T A Last Poem | |
1224 | ||
1225 | A last poem, and a last, and yet another -- | |
1226 | O, when can I give over? | |
1227 | Must I drive the pen until the blood bursts from my nails | |
1228 | And my breath fails and I shake with fever? | |
1229 | Shall I never hear her whisper softly, | |
1230 | "But this is one written by you only, | |
1231 | And for me only; therefore, love, have done"? | |
1232 | ||
1233 | @A Robert Graves | |
1234 | # | |
1235 | I have no pain, dear Mother, now, | |
1236 | But, oh, I am so dry; | |
1237 | So connect me to a brewery, | |
1238 | And leave me there to die. | |
1239 | ||
1240 | @A Anonymous | |
1241 | # | |
1242 | @T Found Poem (from the Hound of the Baskervilles) | |
1243 | ||
1244 | I stooped, panting, and pressed my pistol | |
1245 | To the dreaful, shimmering head, | |
1246 | But it was useless to press the trigger, | |
1247 | The giant hound was dead. | |
1248 | ||
1249 | @A A. Conan Doyle | |
1250 | # | |
1251 | @T Passing through the Carron Iron Works | |
1252 | ||
1253 | We cam na here to view your warks, | |
1254 | In hopes to be mair wise, | |
1255 | But only, lest we gang to Hell, | |
1256 | It may be nae surprise. | |
1257 | ||
1258 | @A Robert Burns | |
1259 | # | |
1260 | @T Imitation of Pope: A Compliment to the Ladies | |
1261 | ||
1262 | Wondrous the Gods, more wondrous are the Men, | |
1263 | More Wondrous Wondrous still the Cock & Hen, | |
1264 | More Wondrous still the Table, Stool & Chair; | |
1265 | But Ah! More wondrous still the Charming Fair. | |
1266 | ||
1267 | @A William Blake | |
1268 | # | |
1269 | @T Upon the Nipples of Julia's Breast | |
1270 | ||
1271 | Have ye beheld (with much delight) | |
1272 | A red rose peeping through a white? | |
1273 | Or else a cherry (double grac'd) | |
1274 | Within a lily? Centre plac'd? | |
1275 | Or ever mark'd the pretty beam, | |
1276 | A strawberry shows half drown'd in cream? | |
1277 | Or seen rich rubies blushing through | |
1278 | A pure smooth pearl, and orient too? | |
1279 | So like to this, nay all the rest, | |
1280 | Is each neat niplet of her breast. | |
1281 | ||
1282 | @A Robert Herrick | |
1283 | # | |
1284 | @T Life | |
1285 | ||
1286 | When I consider life, 'tis all a cheat; | |
1287 | Yet, fooled with hope, men favour the deceit; | |
1288 | Trust on, and think tomorrow will repay: | |
1289 | Tomorrow's falser than the former day; | |
1290 | Lies worse; and while it says, we shall be blessed | |
1291 | With some new joys, cut off what we possessed. | |
1292 | Strange cozenage! None would live past years again, | |
1293 | Yet all hope pleasure in what yet remain; | |
1294 | And from the dregs of life think to receive | |
1295 | What the first sprightly running could not give. | |
1296 | ||
1297 | @A John Dryden | |
1298 | # | |
1299 | @T To a Yellow Hammer | |
1300 | ||
1301 | Poor yellow-breasted little thing, | |
1302 | I would thou had'st been on the wing, | |
1303 | 'Ere 'twas my fate on thee to bring | |
1304 | Thy death so soon; | |
1305 | Thou'lt never more be heard to sing | |
1306 | In joyful tune. | |
1307 | ||
1308 | Too late I saw thee 'mongst the dust, | |
1309 | Gambling so gay in simple trust, | |
1310 | I knew that with my wheel I must | |
1311 | Thy life destroy; | |
1312 | How cruel quick my rubber crushed | |
1313 | Thee in thy joy. | |
1314 | ||
1315 | @A Anonymous | |
1316 | # | |
1317 | @T Wrecked | |
1318 | ||
1319 | A girl, a wheel, | |
1320 | A shock, a squeal, | |
1321 | A header, a thump, | |
1322 | A girl in a lump, | |
1323 | A bloomer all torn, | |
1324 | A maiden forlorn. | |
1325 | ||
1326 | @A Annymous | |
1327 | # | |
1328 | @T Gather ye Rosebuds | |
1329 | ||
1330 | Gather ye rosebuds while ye may, | |
1331 | Old Time is still a-flying; | |
1332 | And this same flower that smiles today | |
1333 | Tomorrow will be dying. | |
1334 | ||
1335 | The glorious lamp of heaven, the Sun, | |
1336 | The higher he's a-getting, | |
1337 | The sooner will his race be run, | |
1338 | And nearer he's to setting. | |
1339 | ||
1340 | That age is best, which is the first, | |
1341 | When youth and blood are warmer | |
1342 | But being spent, the worse, and worst | |
1343 | Times still succeed the former. | |
1344 | ||
1345 | Then be not coy, but use your time, | |
1346 | And while you may, go marry; | |
1347 | For having lost but once your prime, | |
1348 | You may for ever tarry. | |
1349 | ||
1350 | @A Robert Herrick | |
1351 | # | |
1352 | @T My Love's a Match | |
1353 | ||
1354 | My love's a match in beauty | |
1355 | For every flower that blows, | |
1356 | Her little ear's a lily, | |
1357 | Her velvet cheek a rose; | |
1358 | Her locks like gilly gowans | |
1359 | Hang golden to her knww. | |
1360 | If I were King of Ireland, | |
1361 | My Queen she'd surely be. | |
1362 | ||
1363 | Her eyes are fond forget-me-nots, | |
1364 | And no such snow is seen | |
1365 | Upon the heaving hawthorn bush | |
1366 | As crests her bodice green. | |
1367 | The thrushes when she's talking | |
1368 | Sit listening on the tree. | |
1369 | If I were King of Ireland, | |
1370 | My Queen she'd surely be. | |
1371 | ||
1372 | @A Alfred P. Graves | |
1373 | # | |
1374 | @T In a Gondola | |
1375 | ||
1376 | The moth's kiss, first! | |
1377 | Kiss me as if you made believe | |
1378 | You were not sure, this eve, | |
1379 | How my face, your flower, had pursed | |
1380 | Its petals up; so, here and there | |
1381 | You brush it, till I grow aware | |
1382 | Who wants me, and wide ope I burst. | |
1383 | ||
1384 | The bee's kiss, now! | |
1385 | Kiss me as if you enter'd gay | |
1386 | My heart at some noonday, | |
1387 | A bud that dares not disallow | |
1388 | The claim, so all is render'd up, | |
1389 | And passively its shatter'd cup | |
1390 | Over your head to sleep I bow. | |
1391 | ||
1392 | @A Robert Browning | |
1393 | # | |
1394 | @T To his Coy Mistress | |
1395 | ||
1396 | Had we but worlds enough, and time, | |
1397 | This coyness, Lady, were no crime. | |
1398 | We would sit down and think which way | |
1399 | To walk and pass our long love's day. | |
1400 | Thou by the Indian Ganges' side | |
1401 | Shouldst rubies find: I by the tide | |
1402 | Of Humber would complain. I would | |
1403 | Love you ten years before the Flood, | |
1404 | And you should, if you please, refuse | |
1405 | Till the conversion of the Jews. | |
1406 | My vegetable love should grow | |
1407 | Vaster than empires, and more slow; | |
1408 | An hundred years should go to praise | |
1409 | Thine eyes and on thy forehead gaze; | |
1410 | Two hundred to adore each breast, | |
1411 | But thirty thousand to the rest; | |
1412 | An age at least to every part, | |
1413 | And the last age should show your heart. | |
1414 | For, Lady, you deserve this state, | |
1415 | Nor would I love at a lower rate. | |
1416 | @P | |
1417 | But at my back I always hear | |
1418 | Time's winged chariot hurrying near; | |
1419 | And yonder all before us lie | |
1420 | Deserts of vast eternity. | |
1421 | Thy beauty shall no more be found, | |
1422 | Nor, in thy marble vault, shall sound | |
1423 | My echoing song: then worms shall try | |
1424 | That long preserved virginity, | |
1425 | And your quaint honour turn to dust, | |
1426 | And into ashes all my lust: | |
1427 | The grave's a fine and private place, | |
1428 | But none, I think, do there embrace. | |
1429 | @P | |
1430 | Now therefore, while the youthful hue | |
1431 | Sits on thy skin like morning dew, | |
1432 | And while thy willing soul transpires | |
1433 | At every port with instant fires, | |
1434 | Now let us sport us while we may, | |
1435 | And now, like amorous birds of prey, | |
1436 | Rather at once our time devour | |
1437 | Than languish in his slow-chapt power. | |
1438 | Let us roll all our strength and all | |
1439 | Our sweetness up into one ball, | |
1440 | And tear our pleasures with rough strife | |
1441 | Through the iron gates of life: | |
1442 | Thus, though we cannot make our sun | |
1443 | Stand still, yet we will make him run. | |
1444 | ||
1445 | @A Andrew Marvell | |
1446 | # | |
1447 | @T Destiny | |
1448 | ||
1449 | Somewhere there waiteth in this world of ours | |
1450 | For one lone soul another lonely soul, | |
1451 | Each choosing each through all the weary hours | |
1452 | And meeting strangely at one sudden goal. | |
1453 | Then blend they, like green leaves with golden flowers, | |
1454 | Into one beautiful and perfect whole; | |
1455 | And life's long night is ended, and the way | |
1456 | Lies open onward to eternal day. | |
1457 | ||
1458 | @A Edwin Arnold | |
1459 | # | |
1460 | @T A Stolen Kiss | |
1461 | ||
1462 | Now gentle sleep hath closed up those eyes | |
1463 | Which, waking, kept my boldest thoughts in awe; | |
1464 | And free access unto that sweet lip lies, | |
1465 | From whence I long the rosy breath to draw. | |
1466 | ||
1467 | Methinks no wrong it were, if I should steal | |
1468 | From those two melting rubies one poor kiss; | |
1469 | None sees the theft that would the theft reveal, | |
1470 | Nor rob I her of aught that she can miss; | |
1471 | ||
1472 | Nay, should I twenty kisses take away, | |
1473 | There would be little sign I would do so; | |
1474 | Why then should I this robbery delay? | |
1475 | O, she may wake, and therewith angry grow! | |
1476 | ||
1477 | Well, if she do, I'll back restore that one, | |
1478 | And twenty hundred thousand more for loan. | |
1479 | ||
1480 | @A George Wither | |
1481 | # | |
1482 | @T How do I love thee? | |
1483 | ||
1484 | How do I love thee? Let me count the ways. | |
1485 | I love thee to the depth and breadth and height | |
1486 | My soul can reach, when feeling out of sight | |
1487 | For the ends of Being and ideal Grace. | |
1488 | I love thee to the level of every day's | |
1489 | Most quiet need, by sun and candlelight. | |
1490 | I love thee freely, as men strive for Right; | |
1491 | I love thee purely, as they turn from Praise. | |
1492 | I love thee with the passion put to use | |
1493 | In my old griefs, and with my childhood's faith. | |
1494 | I love thee with a love I seemed to lose | |
1495 | With my lost saints, -- I love thee with the breath, | |
1496 | Smiles, tears, of all my life! -- and, if God choose, | |
1497 | I shall but love thee better after death. | |
1498 | ||
1499 | @A Elizabeth Barrett Browning | |
1500 | # | |
1501 | @T Old Man | |
1502 | ||
1503 | Old Man, or Lad's-love, -- in the name there's nothing | |
1504 | To one that knows not Lad's-love, or Old Man, | |
1505 | The hoar-green feathery herb, almost a tree, | |
1506 | Growing with rosemary and lavendar. | |
1507 | Even to one that knows it well, the names | |
1508 | Hald decorate, half perplex, the thing it is: | |
1509 | At least, what that is clings not to the names | |
1510 | In spite of time. And yet I like the names. | |
1511 | ||
1512 | The herb itself I like not, but for certain | |
1513 | I love it, as some day the child will love it | |
1514 | Who plucks a feather from the door-side bush | |
1515 | Whenever she goes in or out of the house. | |
1516 | Often she waits there, snipping the tips and shrivelling | |
1517 | The shreds at last on to the path, perhaps | |
1518 | @P | |
1519 | Thinking, perhaps of nothing, till she sniffs | |
1520 | Her finger and runs off. The bush is still | |
1521 | But half as tall as she, though it is as old; | |
1522 | So well she clips it. Not a word she says; | |
1523 | And I can only wonder hwo much hereafter | |
1524 | She will remember, with that bitter scent, | |
1525 | Of garden rows, and ancient damson-trees | |
1526 | Topping a hedge, a bent path to a door, | |
1527 | A low thick bush beside the door, and me | |
1528 | Forbidding her to pick. | |
1529 | ||
1530 | As for myself, | |
1531 | Where first I met the bitter scent is lost. | |
1532 | I, too, often shrivel the grey shreds, | |
1533 | Sniff them and think and sniff again and try | |
1534 | Once more to think what it is I am remembering, | |
1535 | Always in vain. I cannot like the scent, | |
1536 | Yet I would rather give up others more sweet, | |
1537 | With no meaning, that this bitter one. | |
1538 | @P | |
1539 | I have mislaid the key. I sniff the spray | |
1540 | And think of nothing; I see and I hear nothing; | |
1541 | Yet seem, too, to be listening, lying in wait | |
1542 | For what I should, yet never can, remember: | |
1543 | No garden appears, no path, no hoar-green bush | |
1544 | Of Lad's-love, or Old Man, no child beside, | |
1545 | Neither father nor mother, nor any playmate; | |
1546 | Only an avenue, dark and nameless, without end. | |
1547 | ||
1548 | @A Edward Thomas | |
1549 | # | |
1550 | @T The Manor Farm | |
1551 | ||
1552 | The rock-like mud unfroze a little and rills | |
1553 | Ran and sparkled down each side of the road | |
1554 | Under the catkins wagging in the hedge. | |
1555 | But earth would have her sleep out, spite of the sun; | |
1556 | Nor did I value that thin gilding beam | |
1557 | More than a pretty February thing | |
1558 | Till I came down to the old Manor Farm, | |
1559 | And church and yet-tree opposite, in age | |
1560 | Its equal and in size. Small church, great yew, | |
1561 | And farmhouse slept in a Sunday silentness. | |
1562 | The air raised not a straw. The steep farm roof, | |
1563 | With tiles duskily glowing, entertained | |
1564 | The midday sun; and up and down the roof | |
1565 | White pigeons nestled. There was no sound but one. | |
1566 | Three cart-horses were looking over a gate | |
1567 | Drowsily through their forelocks, swiching their tails | |
1568 | Against a fly, a solitary fly. | |
1569 | @P | |
1570 | The Winter's cheek flushed as if he had drained | |
1571 | Spring, Summer, and Autumn at a draught | |
1572 | And smiled quietly. But 'twas not Winter -- | |
1573 | Rather a season of bliss unchangeable | |
1574 | Awakened from farm and church where it had lain | |
1575 | Safe under tile and thatch for ages since | |
1576 | This England, Old already, was called Merry. | |
1577 | ||
1578 | @A Edward Thomas | |
1579 | # | |
1580 | @T The Unknown Bird | |
1581 | ||
1582 | Three lovely notes he whistled, too soft to be heard | |
1583 | If others sang; but others never sang | |
1584 | In the great beech-wood all that May and June. | |
1585 | No one saw him: I alone could hear him | |
1586 | Though many listened. Was it but four years | |
1587 | Ago? or five? He never came again. | |
1588 | Oftenest when I heard him I was alone, | |
1589 | Nor could I ever make another hear. | |
1590 | La-la-la! he called, seeming far-off -- | |
1591 | As if a cock crowed past the edge of the world, | |
1592 | As if the bird or I were in a dream. | |
1593 | Yet that he travelled through the trees and soometimes | |
1594 | Neared me, was plain, though somehow distant still | |
1595 | He sounded. All the proof is -- I told men | |
1596 | What I had heard. | |
1597 | @P | |
1598 | I never knew a voice, | |
1599 | Man, beast, or bird, better than this. I told | |
1600 | The naturalists; but neither had they heard | |
1601 | Anything like the notes that did so haunt me | |
1602 | I had them clear by heart and have them still. | |
1603 | Four years, or five, have made no difference. Then | |
1604 | As now that La-la-la! was bodiless sweet: | |
1605 | Sad more than joyful it was, if I must say | |
1606 | 'Twas sad only with joy too, too far off | |
1607 | For me to taste it. But I cannot tell | |
1608 | If truly never anything but fair | |
1609 | The days were when he sang, as now they seem. | |
1610 | This surely I know, that I who listened then, | |
1611 | Happy sometimes, sometimes suffering | |
1612 | A heavy body and a heavy heart, | |
1613 | Now straightaway, if I think of it, become | |
1614 | Light as that bird wandering beyond my shore. | |
1615 | ||
1616 | @A Edward Thomas | |
1617 | # | |
1618 | @T First known when lost | |
1619 | ||
1620 | I never had noticed it until | |
1621 | 'Twas gone, -- the narrow copse | |
1622 | Where now the woodman lops | |
1623 | The last of the willows with his bill. | |
1624 | ||
1625 | It was not more than a hedge o'ergrown. | |
1626 | One meadow's breadth away | |
1627 | I passed it day by day. | |
1628 | Now the soil is bare as a bone, | |
1629 | ||
1630 | And black betwixt two meadows green, | |
1631 | Though fresh-cut faggot ends | |
1632 | Of hazel make some amends | |
1633 | With a gleam as if flowers they had been. | |
1634 | ||
1635 | Strange it could have hidden so near! | |
1636 | And now I see as I look | |
1637 | That the small winding brook, | |
1638 | A tributary's tributary rises there. | |
1639 | ||
1640 | @A Edward Thomas | |
1641 | # | |
1642 | @T The Owl | |
1643 | ||
1644 | Downhill I came, hungry, and yet not starved; | |
1645 | Cold, yet had heat within me that was proof | |
1646 | Against the North wind: tired, yet so that rest | |
1647 | Had seemed the sweetest thing under a roof. | |
1648 | ||
1649 | Then at the inn I had food, fire, and rest, | |
1650 | Knowing how hungry, cold and tired was I. | |
1651 | All of the night was quite barred out except | |
1652 | An owl's cry, a most melancholy cry | |
1653 | ||
1654 | Shaken out long and clear upon the hill, | |
1655 | No merry note, nor cause of merriment, | |
1656 | But one telling me plain what I escaped | |
1657 | And others could not, that night, as in I went. | |
1658 | ||
1659 | And salted was my food, and my repose, | |
1660 | Salted and sobered, too, by the bird's voice | |
1661 | Speaking for all who lay under the stars, | |
1662 | Soldiers and poor, unable to rejoice. | |
1663 | ||
1664 | @A Edward Thomas | |
1665 | # | |
1666 | @T But these things also | |
1667 | ||
1668 | But these things also are Spring's -- | |
1669 | On banks by the roadside the grass | |
1670 | Long-dead that is greyer now | |
1671 | Than all the Winter it was; | |
1672 | ||
1673 | The shell of a little snail bleached | |
1674 | In the grass; chip of flint, and mite | |
1675 | Of chalk; and the small bird's dung | |
1676 | In splashes of purest white: | |
1677 | ||
1678 | All the white things a man mistakes | |
1679 | For earliest violets | |
1680 | Who seeks through Winter's ruins | |
1681 | Something to pay Winter's debts, | |
1682 | ||
1683 | While the North blows, and starling flocks | |
1684 | By chattering on and on | |
1685 | Keeep their spirits up in the mist, | |
1686 | And Spring's here, Winter's not gone. | |
1687 | ||
1688 | @A Edward Thomas | |
1689 | # | |
1690 | @T The New House | |
1691 | ||
1692 | Now first, as I shut the door, | |
1693 | I was alone | |
1694 | In the new house; and the wind | |
1695 | Began to moan. | |
1696 | ||
1697 | Old at once was the house, | |
1698 | And I was old; | |
1699 | My ears were teased with the dread | |
1700 | Of what was foretold, | |
1701 | ||
1702 | Nights of storm, days of mist, without end; | |
1703 | Sad days when the sun | |
1704 | Shone in vain: old griefs, and griefs | |
1705 | Not yet begun. | |
1706 | ||
1707 | All was foretold me; naught | |
1708 | Could I foresee; | |
1709 | But I learnt how the wind would sound | |
1710 | After these things should be. | |
1711 | ||
1712 | @A Edward Thomas | |
1713 | # | |
1714 | @T Lovers | |
1715 | ||
1716 | The two men in the road were taken aback. | |
1717 | The lovers came out shading their eyes from the sun, | |
1718 | And never was white so white, or black so black, | |
1719 | As her cheeks and hair. 'There are more things than one | |
1720 | A man might turn into a wood for, Jack,' | |
1721 | Said George; Jack whispered: 'He has not got a gun. | |
1722 | It's a bit too much of a good thing, I say. | |
1723 | They are going the other road, look. And see her run.' -- | |
1724 | She ran -- 'What a thing it is, this picking may.' | |
1725 | ||
1726 | @A Edward Thomas | |
1727 | # | |
1728 | @T Melancholy | |
1729 | ||
1730 | The rain and wind, the rain and wind, raved endlessly. | |
1731 | On me the Summer storm, and fever, and melancholy | |
1732 | Wrought magic, so that if I feared the solitude | |
1733 | Far more I feared all company: too sharp, too rude, | |
1734 | Had been the wisest or the dearest human voice. | |
1735 | What I desired I knew not, but whate'er my choice | |
1736 | Vain it must be, I knew. Yet naught did my despair | |
1737 | But sweeten the strange sweetness, while through the wild air | |
1738 | All day long I heard a distant cuckoo calling | |
1739 | And, soft as dulcimers, sounds of near water falling, | |
1740 | And, softer, and remote as if in history, | |
1741 | Rumours of what had touched my friends, my foes, or me. | |
1742 | ||
1743 | @A Edward Thomas | |
1744 | # | |
1745 | @T The Glory | |
1746 | ||
1747 | The glory of the beauty of the morning, -- | |
1748 | The cuckoo crying over the untouched dew; | |
1749 | The blackbird that has found it, and the dove | |
1750 | That tempts me on to something sweeter than love; | |
1751 | White clouds ranged even and fair as new-mown hay; | |
1752 | The heat, the stir, the sublime vancancy | |
1753 | Of sky meadow and forest and my own heart: -- | |
1754 | The glory invites me, yet it leaves me scorning | |
1755 | All I can ever do, all I can be, | |
1756 | Beside the lovely of motion, shape, and hue, | |
1757 | The happiness I fancy fit to dwell | |
1758 | In beauty's presence. Shall I now this day | |
1759 | @P | |
1760 | Begin to seek as far as heaven, as hell, | |
1761 | Wisdom or strength to match this beauty, start | |
1762 | And tread the pale dust pitted with small dark drops, | |
1763 | In hope to find whatever it is I seek, | |
1764 | Hearkening to short-lived happy-seeming things | |
1765 | That we know naught of, in the hazel copse? | |
1766 | Or must I be content with discontent | |
1767 | As larks and swallows are perhaps with wings? | |
1768 | And shall I ask at the day's end once more | |
1769 | What beauty is, and what I can have meant | |
1770 | By happiness? And shall I let all go, | |
1771 | Glad, weary, or both? Or shall I perhaps know | |
1772 | That I was happy oft and oft before, | |
1773 | Awhile forgetting how I am fast pent, | |
1774 | How dreary-swift, with naught to travel to, | |
1775 | Is Time? I cannot bite the day to the core. | |
1776 | ||
1777 | @A Edward Thomas | |
1778 | # | |
1779 | @T The Brook | |
1780 | ||
1781 | Seated by a brook, watching a child | |
1782 | Chiefly that paddled, I was this beguiled. | |
1783 | Mellow the blackbird sang and sharp the thrush | |
1784 | Not far off in the oak and hazel brush, | |
1785 | Unseen. There was a scent like honeycomb | |
1786 | From mugwort dull. And down upon the dome | |
1787 | Of the stone the card-horse kicks against so oft | |
1788 | A butterfly alighted. From aloft | |
1789 | He took the heat of the sun, and from below, | |
1790 | On the hot stone he perched contented so, | |
1791 | As if never a cart would pass again | |
1792 | That way; as if I were the last of men | |
1793 | And he the first of insects to have earth | |
1794 | And sun together and to know their worth. | |
1795 | @P | |
1796 | I was divided between him and the gleam, | |
1797 | The motion, and the voices, of the stream, | |
1798 | The waters running frizzled over gravel, | |
1799 | Thaat never vanish and for ever travel. | |
1800 | A grey flycatcher silent on a fence | |
1801 | And I sat as if we had been there since | |
1802 | The horseman and the horse lying beneath | |
1803 | The fir-tree-covered barrow on the heath, | |
1804 | The horseman and the horse with silver shoes, | |
1805 | Galloped the downs last. All that I could lose | |
1806 | I lost. And then the child's voice raised the dead. | |
1807 | 'No one's been here before' was what she said | |
1808 | And what I felt, yet never should have found | |
1809 | A word for, while I gathered sight and sound. | |
1810 | ||
1811 | @A Edward Thomas | |
1812 | # | |
1813 | @T This is no case of petty right or wrong | |
1814 | ||
1815 | This is no case of petty right or wrong | |
1816 | That politicians or philosphers | |
1817 | Can judge. I hate not Germans, nor grow hot | |
1818 | With love of Englishmen, to please newspapers. | |
1819 | Beside my hate for one fat patriot | |
1820 | My hatred of the Kaiser is love true :-- | |
1821 | A kind of god he is, banging a gong. | |
1822 | But I have not to choose between the two, | |
1823 | Or between justice and injustice. Dinned | |
1824 | With war and argument I read no more | |
1825 | Than in the storm smoking along the wind | |
1826 | Athwart the wood. Two witches' cauldrons roar. | |
1827 | @P | |
1828 | From one the weather shall rise clear and gay; | |
1829 | Out of the other an England beautiful | |
1830 | And like her mother that died yesterday. | |
1831 | Little I know or care if, being dull, | |
1832 | I shall miss something that historians | |
1833 | Can rake out of the ashes when perchance | |
1834 | The phoenix broods serene above their ken. | |
1835 | But with the best and meanest Englishmen | |
1836 | I am one in crying, God save England, lest | |
1837 | We lose what never slaves and cattle blessed. | |
1838 | The ages made here that made us from the dust: | |
1839 | She is all we know and live by, and we trust | |
1840 | She is good and must endure, loving her so: | |
1841 | And as we love ourselves we hate her foe. | |
1842 | ||
1843 | @A Edward Thomas | |
1844 | # | |
1845 | @T Helen | |
1846 | ||
1847 | And you, Helen, what should I give you? | |
1848 | So many things I would give you | |
1849 | Had I an infinite great store | |
1850 | Offered me and I stood before | |
1851 | To choose. I would give you youth, | |
1852 | All kinds of lovelines and truth, | |
1853 | A clear eye as good as mine, | |
1854 | Lands, waters, flowers, wine, | |
1855 | As many children as your heart | |
1856 | Might wish for, a far better art | |
1857 | Than mine can be, all you have lost | |
1858 | Upon the travelling waters tossed, | |
1859 | Or given to me. If I could choose | |
1860 | Freely in that great treasure-house | |
1861 | Anything from any shelf, | |
1862 | I would give you back yourself, | |
1863 | And power to discriminate | |
1864 | What you want and want it not too late, | |
1865 | Many fair days free from care | |
1866 | And heart to enjoy both foul and fair, | |
1867 | And myself, too, if I could find | |
1868 | Where it lay hidden and it proved kind. | |
1869 | ||
1870 | @A Edward Thomas | |
1871 | # | |
1872 | @T Bob's Lane | |
1873 | ||
1874 | Women he liked, did shovel-bearded Bob, | |
1875 | Old Farmer Hayward of the Heath, but he | |
1876 | Loved horses. He himself was like a cob, | |
1877 | And leather-coloured. Also he loved a tree. | |
1878 | ||
1879 | For the life in them he loved most living things, | |
1880 | But a tree chiefly. All along the lane | |
1881 | He planted elms where now the stormcock sings | |
1882 | That travellers hear from the slow-climbing train. | |
1883 | ||
1884 | Till then the track had never had a name | |
1885 | For all its thicket and the nightingales | |
1886 | That should have earned it. No one was to blame. | |
1887 | To name a thing beloved man sometimes fails. | |
1888 | ||
1889 | Many years since, Bob Hayward died, and now | |
1890 | None passes there because the mist and the rain | |
1891 | Out of the elms have turned the lane to slough | |
1892 | And gloom, the name alone survives, Bob's Lane. | |
1893 | ||
1894 | @A Edward Thomas | |
1895 | # | |
1896 | @T The Poetry of Dress | |
1897 | ||
1898 | A sweet disorder in the dress | |
1899 | Kindles in clothes a wantonness :-- | |
1900 | A lawn about the shoulders thrown | |
1901 | Into a fine distraction, -- | |
1902 | An erring lace, which here and there | |
1903 | Enthrals the crimson stomacher -- | |
1904 | A cuff neglectful, and thereby | |
1905 | Ribbands to flow confusedly, -- | |
1906 | A winning wave, deserving note, | |
1907 | In the tempestuous petticoat, -- | |
1908 | A careless shoe-string, in whose tie | |
1909 | I see a wild civility, -- | |
1910 | Do more bewitch me, than when art | |
1911 | Is too precise in evry part. | |
1912 | ||
1913 | @A R. Herrick | |
1914 | # | |
1915 | @T The Poetry of Dress | |
1916 | ||
1917 | When as in silks my Julia goes | |
1918 | Then, then (methinks) how sweetly flows | |
1919 | That liquefaction of her clothes. | |
1920 | ||
1921 | Next, when I cast mine eyes and see | |
1922 | That brave vibration each way free; | |
1923 | O how that glittering taketh me! | |
1924 | ||
1925 | @A R. Herrick | |
1926 | # | |
1927 | My Love in her attire doth show her wit, | |
1928 | It doth so well become her: | |
1929 | For every season she hath dressings fit, | |
1930 | For Winter, Spring and Summer. | |
1931 | No beauty she doth miss | |
1932 | When all her robes are on: | |
1933 | But Beauty's self she is | |
1934 | When all her robes are gone. | |
1935 | ||
1936 | @A Anonymous | |
1937 | # | |
1938 | @T On a Girdle | |
1939 | ||
1940 | That which her slender waist confined | |
1941 | Shall now my joyful temples bind: | |
1942 | No monarch but would give his crown | |
1943 | His arms might do what this has done. | |
1944 | ||
1945 | It was my Heaven's extremest sphere, | |
1946 | The pale which held that lovely deer: | |
1947 | My joy, my grief, my hope, my love | |
1948 | Did all within this circle move. | |
1949 | ||
1950 | A narrow compass! and yet there | |
1951 | Dwelt all that's good, and all that's fair: | |
1952 | Give me but what this ribband bound, | |
1953 | Take all the rest the Sun goes round. | |
1954 | ||
1955 | @A E. Waller | |
1956 | # | |
1957 | @T The Lost Love | |
1958 | ||
1959 | She dwelt among the untrodden ways | |
1960 | Beside the springs of Dove; | |
1961 | A maid whom there were none to praise, | |
1962 | And very few to love: | |
1963 | ||
1964 | A violet by a mossy stone | |
1965 | Half hidden from the eye! | |
1966 | -- Fair as a star, when only one | |
1967 | Is shining in the sky. | |
1968 | ||
1969 | She lived unknown, and few could know | |
1970 | When Lucy ceased to be; | |
1971 | But she is in her grave, and oh, | |
1972 | The difference to me! | |
1973 | ||
1974 | @A W. Wordsworth | |
1975 | # | |
1976 | I strove with none, for none was worth my strife; | |
1977 | Nature I loved, and next to Nature, Art; | |
1978 | I warmed both hands before the fire of life | |
1979 | It sinks, and I am ready to depart. | |
1980 | ||
1981 | @A W. S. Landor | |
1982 | # | |
1983 | @T The Miller's Daughter | |
1984 | ||
1985 | It is the miller's daughter, | |
1986 | And she is grown so dear, so dear, | |
1987 | That I would be the jewel | |
1988 | That trembles in her ear: | |
1989 | For his in ringlets day and night, | |
1990 | I'd touch her neck so warm and white. | |
1991 | ||
1992 | And I would be the girdle | |
1993 | About her dainty waist, | |
1994 | And her heart would beat against me | |
1995 | In sorrow and in rest: | |
1996 | And I should know if it beat right, | |
1997 | I'd clasp it round so close and tight. | |
1998 | ||
1999 | And I would be the necklace, | |
2000 | And all day long to fall and rise | |
2001 | Upon her balmy bosom, | |
2002 | With her laughter or her sighs, | |
2003 | And I would lie so light, so light, | |
2004 | I scarce should be unclasp'd at night. | |
2005 | ||
2006 | @A Lord Tennyson | |
2007 | # | |
2008 | @T Sea-fever | |
2009 | ||
2010 | I must down to the seas again, to the lonely sea and the sky, | |
2011 | And all I ask is a tall ship and a star to steer her by, | |
2012 | And the wheel's kick and the wind's song and the white sail's shaking, | |
2013 | And a grey mist on the sea's face and a grey dawn breaking. | |
2014 | ||
2015 | I must down to the seas again, for the call of the running tide | |
2016 | Is a wild call and a clear call that may not be denied; | |
2017 | And all I ask is a windy day with the white clouds flying, | |
2018 | And the flung spray and the blown spume, and the sea-gulls crying. | |
2019 | ||
2020 | I must down to the seas again, to the vagrant gypsy life, | |
2021 | To the gull's way and the whale's way where the wind's like a whetted knife; | |
2022 | And all I ask is a merry yarn from a laughing fellow-rover, | |
2023 | And a quiet sleep and a sweet dream when the long trick's over. | |
2024 | ||
2025 | @A John Masefield | |
2026 | # | |
2027 | @T The Drum | |
2028 | ||
2029 | I hate that drum's discordant sound, | |
2030 | Parading round, and round, and round: | |
2031 | To thoughtless youth it pleasure yields, | |
2032 | And lures from cities and from fields, | |
2033 | To sell their liberty for charms | |
2034 | Of tawdry lace, and glittering arms; | |
2035 | And when Ambition's voice commands, | |
2036 | To march, and fight, and fall, in foreign lands. | |
2037 | ||
2038 | I hate that drum's discordant sound, | |
2039 | Parading round, and round, and round: | |
2040 | To me it talks of ravag'd plains, | |
2041 | And burning towns, and ruin'd swains, | |
2042 | And mangled limbs, and dying groans, | |
2043 | And widows' tears, and orphans' moans; | |
2044 | And all that Misery's hand bestows, | |
2045 | To fill the catalogue of human woes. | |
2046 | ||
2047 | @A John Scott | |
2048 | @A (1730-83) | |
2049 | # | |
2050 | @T Everlasting Mercy | |
2051 | ||
2052 | Near Bullen Bank, on Gloucester road | |
2053 | Thy everlasting mercy showed | |
2054 | The ploughman patient on the hill, forever there, | |
2055 | Forever still | |
2056 | Ploughing the hill with steady yoke, | |
2057 | The pine trees lightning-struck and broke. | |
2058 | ||
2059 | I've marked the May Hill ploughman stay | |
2060 | There on his hill day after day | |
2061 | Driving his team against the sky | |
2062 | While men and women live and die | |
2063 | And now and then he seems to stoop | |
2064 | To clear the coulter with the scoop | |
2065 | Or touch an ox, to haw or gee, | |
2066 | While Severn's stream goes out to sea. | |
2067 | @P | |
2068 | Near Bullen Bank, on Gloucester road | |
2069 | Thy everlasting mercy showed | |
2070 | The ploughman patient on the hill, forever there, | |
2071 | Forever still | |
2072 | The sea with all her ships and sails, | |
2073 | And that great smokey port in Wales, | |
2074 | And Gloucester tower bright in the sun, | |
2075 | All know that patient wandering one. | |
2076 | ||
2077 | @A John Masefield | |
2078 | ||
2079 | Johnny Coppin's haunting arrangement of this available from | |
2080 | Red Sky Records, 'English Morning' RSKC 107 | |
2081 | # | |
2082 | @T Dawn | |
2083 | (From the train between Bologna and Milan, Second Class) | |
2084 | ||
2085 | Opposite me two Germans snore and sweat. | |
2086 | Through sullen swirling gloom we jolt and roar. | |
2087 | We have been here for ever: even yet | |
2088 | A dim watch tells two hours, two aeons, more. | |
2089 | The windows are tight-shut and slimy-wet | |
2090 | With a night's foetor. There are two hours more; | |
2091 | Two hours to dawn and Milan; two hours yet. | |
2092 | Opposite me two Germans sweat and snore... | |
2093 | ||
2094 | One of them wakes, and spits, and sleeps again. | |
2095 | The darkness shivers. A wan light through the rain | |
2096 | Strikes on our faces, drawn and white. Somewhere | |
2097 | A new day sprawls; and, inside, the foul air | |
2098 | Is chill, and damp, and fouler than before... | |
2099 | Opposite me two Germans sweat and snore. | |
2100 | ||
2101 | @A Rupert Brooke | |
2102 | # | |
2103 | @T The Voice | |
2104 | ||
2105 | Safe in the magic of my woods | |
2106 | I lay, and watched the dying light. | |
2107 | Faint in the pale high solitudes, | |
2108 | And washed with rain and veiled by night, | |
2109 | ||
2110 | Silver and blue and green were showing. | |
2111 | And the dark woods grew darker still; | |
2112 | And birds were hushed; and peace was growing; | |
2113 | And quietness crept up the hill; | |
2114 | ||
2115 | And no wind was blowing... | |
2116 | ||
2117 | And I knew | |
2118 | That this was the hour of knowing, | |
2119 | And the night and the woods and you | |
2120 | Were one together, and I should find | |
2121 | Soon in the silence the hidden key | |
2122 | Of all that had hurt and puzzled me -- | |
2123 | Why you were you, and the night was kind, | |
2124 | And the woods were part of the heart of me. | |
2125 | @P | |
2126 | And there I waited breathlessly, | |
2127 | Alone; and slowly the holy three, | |
2128 | The three that I loved, together grew | |
2129 | One, in the hour of knowing, | |
2130 | Night, and the woods, and you -- | |
2131 | ||
2132 | And suddenly | |
2133 | There was an uproar in my woods, | |
2134 | The noise of a fool in mock distress, | |
2135 | Crashing and laughing and blindly going, | |
2136 | Of ignorant feet and a swishing dress, | |
2137 | And a Voice profaning the solitudes. | |
2138 | @P | |
2139 | The spell was broken, the key denied me, | |
2140 | And at length your flat clear voice beside me | |
2141 | Mouthed cheerful clear flat platitudes. | |
2142 | ||
2143 | You came and quacked beside me in the wood. | |
2144 | You said, 'The view from here is very good!' | |
2145 | You said, 'It's nice to be alone a bit!' | |
2146 | And, 'How the days are drawing out!' you said. | |
2147 | You said, 'The sunset's pretty, isn't it?' | |
2148 | ||
2149 | * * * | |
2150 | ||
2151 | By God! I wish -- I wish that you were dead! | |
2152 | ||
2153 | @A Rupert Brooke | |
2154 | # | |
2155 | @T On a Tired Housewife | |
2156 | ||
2157 | Here lies a poor woman who was always tired, | |
2158 | She lived in a house where help wasn't hired; | |
2159 | Her last words on earth were: 'Dear friends, I am going | |
2160 | To where there's no cooking, or washing, or sewing, | |
2161 | For everything there is exact to my wishes, | |
2162 | For where they don't eat there's no washing of dishes. | |
2163 | I'll be where loud anthems will always be ringing, | |
2164 | But having no voice I'll be quit of the singing. | |
2165 | Don't mourn for me now, don't mourn for me never, | |
2166 | I am going to do nothing for ever and ever.' | |
2167 | ||
2168 | @A Anonymous | |
2169 | # | |
2170 | @T On Johnny Cole | |
2171 | ||
2172 | Here lies Johnny Cole | |
2173 | Who died, on my soul, | |
2174 | After eating a plentiful dinner; | |
2175 | While chewing his crust, | |
2176 | He was turned into dust, | |
2177 | With his crimes undigested - poor sinner. | |
2178 | ||
2179 | @A Anonymous | |
2180 | # | |
2181 | @T On a Wag in Mauchline | |
2182 | ||
2183 | Lament him, Mauchline husbands a', | |
2184 | He often did assist ye; | |
2185 | For had ye staid whole weeks awa', | |
2186 | Your wives they ne'er had missed ye. | |
2187 | ||
2188 | Ye Mauchline bairns, as on ye pass, | |
2189 | To schools in bands thegither, | |
2190 | Oh, tread ye lightly on his grass, | |
2191 | Perhaps he was your father. | |
2192 | ||
2193 | @A Robert Burns | |
2194 | # | |
2195 | @T Willie's Epitaph | |
2196 | ||
2197 | Little Willie from his mirror | |
2198 | Licked the mercury right off, | |
2199 | Thinking, in his childish error, | |
2200 | It would cure the whooping cough. | |
2201 | At the funeral his mother | |
2202 | Smartly turned to Mrs Brown: | |
2203 | ''Twas a chilly day for Willie | |
2204 | When the mercury went down.' | |
2205 | ||
2206 | @A Anonymous | |
2207 | # | |
2208 | @T On Mary Ann Lowder | |
2209 | ||
2210 | Here lies the body of Mary Ann Lowder, | |
2211 | She burst while drinking a seidlitz powder. | |
2212 | Called from this world to her heavenly rest, | |
2213 | She should have waited till it effervesced. | |
2214 | ||
2215 | @A Anonymous | |
2216 | # | |
2217 | @T On Miss Arabella Young | |
2218 | ||
2219 | Here lies, returned to clay, | |
2220 | Miss Arabella Young, | |
2221 | Who on the first day of May | |
2222 | Began to hold her tongue. | |
2223 | ||
2224 | @A Anonymous | |
2225 | # | |
2226 | @T From The Westminster Drollery, 1671 | |
2227 | ||
2228 | I saw a peacock with a fiery tail | |
2229 | I saw a blazing comet drop down hail | |
2230 | I saw a cloud wrapped with ivy round | |
2231 | I saw an oak creep upon the ground | |
2232 | I saw a pismire swallow up a whale | |
2233 | I saw the sea brimful of ale | |
2234 | I saw a Venice glass full fifteen feet deep | |
2235 | I saw a well full of men's tears that weep | |
2236 | I saw red eyes all of a flaming fire | |
2237 | I saw a house bigger than the moon and higher | |
2238 | I saw the sun at twelve o'clock at night | |
2239 | I saw the man that saw this wondrous sight. | |
2240 | ||
2241 | @A Anonymous | |
2242 | # | |
2243 | @T Epigram | |
2244 | ||
2245 | Engraved on the collar which I gave to his | |
2246 | Royal Highness Frederick Prince of Wales: | |
2247 | ||
2248 | I am his Highness' dog at Kew | |
2249 | Pray tell me, sir, whose dog are you? | |
2250 | ||
2251 | @A Alexander Pope | |
2252 | # | |
2253 | @T A Man of Words | |
2254 | ||
2255 | A man of words and not of deeds, | |
2256 | Is like a garden full of weeds; | |
2257 | And when the weeds begin to grow, | |
2258 | It's like a garden full of snow; | |
2259 | And when the snow begins to fall, | |
2260 | It's like a bird upon the wall; | |
2261 | And when the bird away does fly, | |
2262 | It's like an eagle in the sky; | |
2263 | And when the skye begins to roar, | |
2264 | It's like a lion at the door; | |
2265 | And when the door begins to crack, | |
2266 | It's like a stick across your back; | |
2267 | And when your back begins to smart, | |
2268 | It's like a penknife in your heart; | |
2269 | And when your heart begins to bleed, | |
2270 | You're dead, and dead, and dead indeed. | |
2271 | ||
2272 | @A Anonymous | |
2273 | # | |
2274 | @T The Voice of the Lobster | |
2275 | ||
2276 | ''Tis the voice of the Lobster; I heard him declare, | |
2277 | "You have baked me too brown, I must sugar my hair." | |
2278 | As a duck with its eyelids, so he with his nose | |
2279 | Trims his belt and his buttons, and turns out his toes. | |
2280 | When the sands are all dry, he is gay as a lark, | |
2281 | And will talk in contemptuous tones of the Shark: | |
2282 | But, when the tide rises and sharks are around, | |
2283 | His voice has a timid and tremuous sound. | |
2284 | ||
2285 | 'I passed by his garden, and marked, with one eye, | |
2286 | How the Owl and the Panther were sharing a pie: | |
2287 | The Panther took pie-crust, and gravy, and meat, | |
2288 | While the Owl had the dish as its share of the treat. | |
2289 | When the pie was all finished, the Owl, as a boon, | |
2290 | Was kindly permitted to pocket the spoon: | |
2291 | While the Panther received knife and fork with a growl, | |
2292 | And concluded the banquet by --' | |
2293 | ||
2294 | @A Lewis Carroll | |
2295 | # | |
2296 | @T Lines by a Humanitarian | |
2297 | ||
2298 | Be lenient with lobsters, and ever kind to crabs, | |
2299 | And be not disrespectful to cuttle-fish or dabs; | |
2300 | Chase not the Cochin-China, chaff not the ox obese, | |
2301 | And babble not of feather-beds in company with geese. | |
2302 | Be tender with the tadpole, and let the limpet thrive, | |
2303 | Be merciful to mussels, don't skin your eels alive; | |
2304 | When talking to a turtle don't mention calipee -- | |
2305 | Be always kind to animals wherever you may be. | |
2306 | ||
2307 | @A Anonymous | |
2308 | # | |
2309 | @T The Common Cormorant | |
2310 | ||
2311 | The common cormorant or shag | |
2312 | Lays eggs inside a paper bag. | |
2313 | The reason you will see no doubt | |
2314 | It is to keep the lightning out. | |
2315 | But what these unobservant birds | |
2316 | Have never noticed is that herds | |
2317 | Of wandering bears may come with buns | |
2318 | And steal the bags to hold the crumbs. | |
2319 | ||
2320 | @A Anonymous | |
2321 | # | |
2322 | @T Imitation of Chaucer | |
2323 | ||
2324 | Women ben full of Ragerie, | |
2325 | Yet swinken not sans secresie | |
2326 | Thilke Moral shall ye understand, | |
2327 | From Schoole-boy's Tale of fayre Irelond: | |
2328 | Which to the Fennes hath him betake, | |
2329 | To filch the gray Ducke fro the Lake. | |
2330 | Right then, there passen by the Way | |
2331 | His Aunt, and eke her Daughters tway. | |
2332 | Ducke in his Trowses hath he hent, | |
2333 | Not to be spied of Ladies gent. | |
2334 | 'But ho! our Nephew,' (crieth one) | |
2335 | 'Ho,' quoth another, 'Cozen John'; | |
2336 | And stoppen, and laugh, and callen out, -- | |
2337 | This sely Clerk full low doth lout: | |
2338 | @P | |
2339 | They asken that, and talken this, | |
2340 | 'Lo here is Coz, and here is Miss.' | |
2341 | But, as he glozeth with Speeches soote, | |
2342 | The Ducke sore tickleth his Erse-root: | |
2343 | Fore-piece and buttons all-to-brest, | |
2344 | Forth thrust a white neck, and red crest. | |
2345 | 'Te-he,' cry'd Ladies; Clerke nought spake: | |
2346 | Miss star'd; and gray Ducke crieth Quake. | |
2347 | 'O Moder, Moder' (quoth the daughter) | |
2348 | 'Be thilke same thing Maids longen a'ter? | |
2349 | 'Better is to pyne on coals and chalke, | |
2350 | 'Then trust on Mon, whose yerde can talke.' | |
2351 | ||
2352 | @A Alexander Pope | |
2353 | # | |
2354 | @T Sonnet | |
2355 | ||
2356 | Live with me, and be my love, | |
2357 | And we will all the pleasures prove | |
2358 | That hills and valleys, dales and fields, | |
2359 | And all the craggy mountains yields. | |
2360 | ||
2361 | There will we sit upon the rocks, | |
2362 | And see the shepherds feed their flocks, | |
2363 | By shallow rivers, by whose falls | |
2364 | Melodious birds sing madrigals. | |
2365 | ||
2366 | There will I make thee a bed of roses, | |
2367 | With a thousand fragrant posies, | |
2368 | A cap of flowers, and a kirtle | |
2369 | Embroider'd all with leaves of myrtle. | |
2370 | @P | |
2371 | A belt of straw and ivy buds, | |
2372 | With coral clasps and amber studs; | |
2373 | And if these pleasures may thee move, | |
2374 | Then live with me and be my love. | |
2375 | ||
2376 | LOVE'S ANSWER | |
2377 | ||
2378 | If that the world and love were young, | |
2379 | And truth in every shepherd's tongue, | |
2380 | These pretty pleasures might me move | |
2381 | To live with thee and be thy love. | |
2382 | ||
2383 | @A William Shakespeare | |
2384 | # | |
2385 | @T O No, John! | |
2386 | ||
2387 | On yonder hill there stands a creature; | |
2388 | Who she is I do not know. | |
2389 | I'll go and court her for her beauty, | |
2390 | She must answer yes or no. | |
2391 | O no, John! No, John! No, John! No! | |
2392 | ||
2393 | On her bosom are bunches of posies, | |
2394 | On her breast where flowers grow; | |
2395 | If I should chance to touch that posy, | |
2396 | She must answer yes or no. | |
2397 | O no, John! No, John! No, John! No! | |
2398 | ||
2399 | Madam I am come for to court you, | |
2400 | If your favour I can gain; | |
2401 | If you will but entertain me, | |
2402 | Perhaps then I might come again. | |
2403 | O no, John! No, John! No, John! No! | |
2404 | ||
2405 | My husband was a Spanish captain, | |
2406 | Went to sea a month ago; | |
2407 | The very last time we kissed and parted, | |
2408 | Bid me always answer no. | |
2409 | O no, John! No, John! No, John! No! | |
2410 | @P | |
2411 | Madam in your face is beauty, | |
2412 | In your bosom flowers grow; | |
2413 | In your bedroom there is pleasure, | |
2414 | Shall I view it, yes or no? | |
2415 | O no, John! No, John! No, John! No! | |
2416 | ||
2417 | Madam shall I tie your garter, | |
2418 | Tie it a little above your knee; | |
2419 | If my hands should slip a little farther, | |
2420 | Would you think it amiss of me? | |
2421 | O no, John! No, John! No, John! No! | |
2422 | ||
2423 | My love and I went to bed together, | |
2424 | There we lay till cocks did crow; | |
2425 | Unclose your arms my dearest jewel, | |
2426 | Unclose your arms and let me go. | |
2427 | O no, John! No, John! No, John! No! | |
2428 | ||
2429 | @A Old English Folk Song | |
2430 | # | |
2431 | @T Unfortunate | |
2432 | ||
2433 | Heart, you are as restless as a paper scrap | |
2434 | That's tossed down dusty pavements by the wind; | |
2435 | Saying, 'She is most wise, patient and kind. | |
2436 | Between the small hands folded in her lap | |
2437 | Surely a shamed head may bow down at length, | |
2438 | And find forgiveness where the shadows stir | |
2439 | About her lips, and wisdom in her strength, | |
2440 | Peace in her peace. Come to her, come to her!' . . . | |
2441 | ||
2442 | She will not care. She'll smile to see me come, | |
2443 | So that I think all Heaven in flower to fold me. | |
2444 | She'll give me all I ask, kiss me and hold me, | |
2445 | And open wide upon that holy air | |
2446 | The gates of peace, and take my tiredness home, | |
2447 | Kinder than God. But, heart, she will not care. | |
2448 | ||
2449 | @A Rupert Brooke | |
2450 | # | |
2451 | @T The Busy Heart | |
2452 | ||
2453 | Now that we've done our best and worst, and parted, | |
2454 | I would fill my mind with thoughts that will not rend. | |
2455 | (O heart, I do not dare go empty-hearted) | |
2456 | I'll think of Love in books, Love without end; | |
2457 | Women with child, content; and old men sleeping; | |
2458 | And wet strong ploughlands, scarred for certain grain; | |
2459 | And babes that weep, and so forget their weeping; | |
2460 | And the young heavens, forgetful after rain; | |
2461 | And evening hush, broken by homing wings; | |
2462 | And Song's nobility, and Wisdom holy, | |
2463 | That live, we dead. I would think of a thousand things, | |
2464 | Lovely and durable, and taste them slowly, | |
2465 | One after one, like tasting a sweet food. | |
2466 | I have need to busy my heart with quietude. | |
2467 | ||
2468 | @A Rupert Brooke | |
2469 | # | |
2470 | @T Love | |
2471 | ||
2472 | Love is a breach in the walls, a broken gate, | |
2473 | Where that comes in that shall not go again; | |
2474 | Love sells the proud heart's citadel to Fate. | |
2475 | They have known shame, who love unloved. Even then | |
2476 | When two mouths, thirsty each for each, find slaking, | |
2477 | And agony's forgot, and hushed the crying | |
2478 | Of credulous hearts, in heaven -- such are but taking | |
2479 | Their own poor dreams within their arms, and lying | |
2480 | Each in his lonely night, each with a ghost. | |
2481 | Some share that night. But they know, love grows colder, | |
2482 | Grows false and dull, that was sweet lies at most. | |
2483 | Astonishment is no more in hand or shoulder, | |
2484 | But darkens, and dies out from kiss to kiss. | |
2485 | All this love; and all love is but this. | |
2486 | ||
2487 | @A Rupert Brooke | |
2488 | # | |
2489 | @T One Day | |
2490 | ||
2491 | Today I have been happy. All the day | |
2492 | I held the memory of you, and wove | |
2493 | Its laughter with the dancing light o' the spray, | |
2494 | And sowed the sky with tiny clouds of love, | |
2495 | And sent you following the white waves of sea, | |
2496 | And crowned your head with fancies, nothing worth, | |
2497 | Stray buds from that old dust of misery, | |
2498 | Being glad with a new foolish quiet mirth. | |
2499 | ||
2500 | So lightly I played with those dark memories, | |
2501 | Just as a child, beneath the summer skies, | |
2502 | Plays hour by hour with a strange shining stone, | |
2503 | For which (he knows not) towns were fire of old, | |
2504 | And love has been betrayed, and murder done, | |
2505 | And great kings turned to a little bitter mould. | |
2506 | ||
2507 | @A Rupert Brooke | |
2508 | # | |
2509 | @T Doubts | |
2510 | ||
2511 | When she sleeps, her soul, I know, | |
2512 | Goes a wanderer on the air, | |
2513 | Wings where I may never go, | |
2514 | Leaves her lying, still and fair, | |
2515 | Waiting, empty, laid aside, | |
2516 | Like a dress upon a chair... | |
2517 | This I know, and yet I know | |
2518 | Doubts that will not be denied. | |
2519 | ||
2520 | For if the soul be not in place, | |
2521 | What has laid trouble in her face? | |
2522 | And, sits there nothing ware and wise | |
2523 | Behind the curtains of her eyes, | |
2524 | What is it, in the self's eclipse, | |
2525 | Shadows, soft and passingly, | |
2526 | About the corners of her lips, | |
2527 | The smile that is essential she? | |
2528 | ||
2529 | And if the spirit be not there, | |
2530 | Why is fragrance in the hair? | |
2531 | ||
2532 | @A Rupert Brooke |